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Archaeology International
Architecture_MPS
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American Women's Regionalist Fiction: Mapping the Gothic
Zitkala-Ša’s Indigenous Gothicism
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Author(s):
Laura L. Mielke
Publication date
(Online):
January 05 2021
Publisher:
Springer International Publishing
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Settler colonialism and the elimination of the native
Patrick J. Wolfe
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Zitkala-Sa and the Problem of Regionalism: Nations, Narratives, and Critical Traditions
Gary Totten
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American Frontier Gothic
Elizabeth Jane Wall Hinds
(2017)
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Publication date (Print):
2021
Publication date (Online):
January 05 2021
Pages
: 339-357
DOI:
10.1007/978-3-030-55552-8_19
SO-VID:
79280297-31a5-4577-a245-c63478f47c6b
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Book chapters
pp. 1
Introduction
pp. 19
The Uncanny Regionalism of Harriet Prescott Spofford’s “Circumstance”
pp. 39
New England Gothic/New England Guilt: Mary Wilkins Freeman and the Salem Witchcraft Episode
pp. 57
Sarah Orne Jewett’s New England Gothic and the Uncanny Durability of Imperial History
pp. 79
Local Habitations as Gothic Terrain in Rose Terry Cooke
pp. 97
Hallowed Ground: The Gothic New England of Sarah Orne Jewett and Mary Wilkins Freeman
pp. 115
A New-England Kind of “Fetch”: The Vampire-Witch in Edith Wharton’s Gothic Fiction
pp. 137
Haunted Homesteads: E.D.E.N. Southworth’s Dual Gothic
pp. 157
“That Dim Abode”: Uncanny Region in Davis’s “The Tragedy of Fauquier”
pp. 177
The Gothic and the “Southern Lady”: Catherine Warfield’s The Household of Bouverie
pp. 195
Gothic Chopin: Negotiating Realism’s Divide in Bayou Folk
pp. 215
Hoodoo and Voodoo in Zora Neale Hurston’s Gothic Stories and Folktales
pp. 235
Alice Cary’s Mundane Musings and Rural Hauntings
pp. 253
Gothic Spaces and the Nation in Constance Fenimore Woolson’s Tales of the Great Lakes and Reconstruction
pp. 269
Specters of the Great Plains: My Ántonia as a Gothic Regionalist Novel
pp. 287
Emma Frances Dawson’s Urban California Gothic
pp. 305
Mary Austin’s California Gothic
pp. 323
“It Will Haunt the Reader after the Others Have Faded into the Mist”: The Gothic West of Ella Rhoads Higginson’s “In the Bitter Root Mountains”
pp. 339
Zitkala-Ša’s Indigenous Gothicism
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