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Körper und Repräsentation
Pornotopische Techniken des Betrachtens — Gustave Courbets „L’origine du monde“ (1866) und der Penetrationskonflikt der Zentralperspektive
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Most cited references12
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FrauenKunstGeschichte. Zur Korrektur des herrschenden Blicks
S. Schade (1984)
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Genus. Zur Geschlechterdifferenz in den Kulturwissenschaften
S. Schade (1995)