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Progress(es) – Theories and Practices
More’s College: A case study in the eutopian praxis of deep heritage conservation
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Author(s):
Matthew Wilson
Publication date:
October 3 2017
Publisher:
CRC Press
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Language Documentation and Conservation
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Book Chapter
Publication date:
October 3 2017
Pages
: 69-74
DOI:
10.1201/9781351242691-12
SO-VID:
2f566184-96a5-44d2-be04-e9087f731ac6
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Book chapters
pp. 3
Discovery, science and progress
pp. 9
Anonymous as a theme of discontinuity in the culture of Italian architecture between the first and second halves of the 20th century: E.N. Rogers and L. Ricci
pp. 15
Progress(es) in planning – theory and practice and the quest for activist modes
pp. 21
Colour effects and human perception: Contributions to architecture and design project
pp. 31
From potency in theory to act in practice
pp. 35
From divine to human: Architecture and music celebrating the machine, but still searching for Plato
pp. 41
Interstitial spatialities in progress: From identity to relationality
pp. 49
The bitter gifts of progress: Russian revolution, “barrackization” of living space and the poverty of experience
pp. 55
On progress: Remarks on the theoretical work of Adolf Loos
pp. 61
The “anonymous” practice of construction and architectural theory: The tender age of the Form in the American industrial prototypes between 19th and 20th-century
pp. 69
More’s College: A case study in the eutopian praxis of deep heritage conservation
pp. 75
Fernando Távora: The deontology of the journey as a form of cultural and personal progress.
pp. 81
Maquette-concept as project genesis in the teaching of architecture
pp. 89
Buildings and regenerative thinking: A forward perspective for sustainability
pp. 95
Progress, energy and architecture – The building as a power cell
pp. 101
Executing progress through the design-build platform
pp. 105
The void concept in building design
pp. 111
Graphic dialogues: The progress of knowledge in design in the architecture studio
pp. 115
Housing as a reflection of the human unconscious; the permanent flexibility in housing
pp. 121
Living the contemporaneity: The idea of progress from the origins of the house
pp. 127
Progress and the happiness ideal: Materialisation of a utopia with the fortified enclave: The case of Casa Forte
pp. 131
Towers in the contemporary city
pp. 137
The classical progress: French neoclassicism as “modern architecture”, a symbol of progress in the city of Recife, Brazil, in the 19th century
pp. 143
Will stage and exhibition design save contemporary theatre?
pp. 149
The Evolutive Design; the interpretation of the structure of the physical space in the architectural design
pp. 155
Urban restoration for territorial development
pp. 159
The green way of the Apulian Aqueduct. A regional corridor for the enhancement of the environmental heritage and local culture
pp. 167
“Rural villages” as engines of territory sustainable growth
pp. 173
Studying and living in the city
pp. 179
Research and culturalist practice as a matrix for urban and architectural rehabilitation in Lisbon
pp. 185
Architecture – a product for retail sale?
pp. 189
The Portuguese city, 1930–1960: The progress of thinking as displayed in the architecture magazines
pp. 195
Drawing progress within the design process
pp. 201
Sustainable design and technological innovation; New perspective for the traditional sector of the pottery
pp. 207
CACO: Promoting the progress of joinery in Brazil
pp. 213
Non-object; designing a conceptual model for the design process
pp. 219
Knit and technology: A long lasting friendship
pp. 225
Prisoners of progress? Women, body and fashion in the 19th century: A reflection on city, society and conspicuous consumption
pp. 233
The art and architecture of inner progress: Four significances of contemporary creations
pp. 239
Progress and return: Chaos, action and aesthetic contemplation, or knowledge never begins at the beginning
pp. 245
Am I always drawing the same drawing?
pp. 249
Progress and regress: The current status of art in two post-communist countries
pp. 255
The promotion of art on the path of socio-cultural development
pp. 263
Progress versus decadence. In the pursuit of a demystification of the black legend of the Portuguese Empire
pp. 269
Shadows of orientalism in Portugal – some notes on theories and practices in Macao early narrative images (16th and 17th centuries)
pp. 273
The idea of progress and the practice of slavery in the second half of the 18th century
pp. 287
On the “bread of Brazil” in the colonial period: Uses, habits and production
pp. 293
Progress in the European periphery: An impracticable theory in 19th century Azores?
pp. 299
Progress and remembrance of the Finnish Lutheran work in the Ondonga Kingdom in South West Africa
pp. 305
No past – no progress: Uses of history as a prerequisite of progress in the reinauguration of The Luther Church Helsinki
pp. 309
Art and progress; Portuguese colonial representations in the great world exhibitions
pp. 315
Progress on display: Universal Exhibitions in the second half of the 19th century
pp. 321
Does acculturation mean progress?
pp. 327
Birth of Cape Verdean man in the Writing of Jorge Barbosa
pp. 331
Community empowerment and progress in Africa – notes from the field
pp. 335
“Who will not admire the advances of this century?” (Eça de Queirós, Civilização)
pp. 341
Humanism and technology: Comparative analysis of More’s Utopia, Bacon’s New Atlantis, and Miguel Real’s O Último Europeu 2284
pp. 347
Imagining the future: A view of progress in H.G. Wells’ science fiction
pp. 353
Two dystopic visions on the relationship of humans and progress – Emile Souvestre and Cordwainer Smith
pp. 361
Emil Cioran and Bruno Taut: Utopia as a flight from progress?
pp. 373
David Byrne’s True Stories – Progress, narrative, fragment, and collage
pp. 387
The electric motor in Portugal: Technological progress and industrialization
pp. 393
Morphizm – Systemic digital graphics
pp. 399
Optical fibre or a critical social history of light
pp. 405
Automatic workflow for 4D-BIM based modelling
pp. 411
Progress of what civilisation?
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