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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
Who we are
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Silencing Cinema
“American morality is not to be trifled with”: Content Regulation in Hollywood after 1968
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Author(s):
Jon Lewis
Publication date
(Print):
2013
Publisher:
Palgrave Macmillan US
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The Brethren: Inside the Supreme Court
B. WOODWARD
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Woodward
(1979)
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Presumed Effects of Erotica: Some Notes on the Report of the Commission on Obscenity and Pornography
Jon. Lewis
(2008)
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Freedom and Entertainment: Rating the Movies in an Age of New Media
S Vaughan
(2005)
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Publication date (Print):
2013
Pages
: 33-47
DOI:
10.1057/9781137061980_3
SO-VID:
d4ea5ccf-2b20-4f0d-b305-5256e973ca42
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Book chapters
Silencing Cinema
Censorship Multiplicity, Moral Regulation, and Experiences
âWe do not certify backwardsâ
Seeing Red
All the Power of the Law
Film Censorship in a Liberal Free Market Democracy
Inquisition Shadows
Film Censorship during the Golden Era of Turkish Cinema
Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria
British Colonial Censorship Regimes
Irish Film Censorship
The Legion of Decency and the Movies
Blessed Cinema
The Censor and the State in Britain
âAmerican morality is not to be trifled withâ
Control, Continuity, and Change
Prohibition, Politics, and Nation-Building
Colonialism, Legacy, and Policies
Film Censorship in Germany
When Cinema Faces Social Values
Censorship, Regulation, and Hegemony
pp. 1
Silencing Cinema: An Introduction
pp. 15
All the Power of the Law: Governmental Film Censorship in the United States
pp. 33
“American morality is not to be trifled with”: Content Regulation in Hollywood after 1968
pp. 49
When Cinema Faces Social Values: One Hundred Years of Film Censorship in Canada
pp. 63
Inquisition Shadows: Politics, Religion, Diplomacy, and Ideology in Mexican Film Censorship
pp. 81
Film Censorship in Germany: Continuity and Change through Five Political Systems
pp. 97
Seeing Red: Political Control of Cinema in the Soviet Union
pp. 109
Prohibition, Politics, and Nation-Building: A History of Film Censorship in China
pp. 131
Film Censorship during the Golden Era of Turkish Cinema
pp. 149
The Censor and the State in Britain
pp. 167
British Colonial Censorship Regimes: Hong Kong, Straits Settlements, and Shanghai International Settlement, 1916–1941
pp. 191
“We do not certify backwards”: Film Censorship in Postcolonial India
pp. 207
Irish Film Censorship: Refusing the Fractured Family of Foreign Films
pp. 223
Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria
pp. 241
The Legion of Decency and the Movies
pp. 255
Blessed Cinema: State and Catholic Censorship in Postwar Italy
pp. 273
Film Censorship in a Liberal Free Market Democracy: Strategies of Film Control and Audiences’ Experiences of Censorship in Belgium
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