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The Palgrave Handbook of Contemporary Irish Theatre and Performance
other
Editor(s):
Eamonn Jordan
,
Eric Weitz
Publication date
(Print):
2018
Publisher:
Palgrave Macmillan UK
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Journal of Contemporary Archaeology
Author and book information
Book
ISBN (Print):
978-1-137-58587-5
ISBN (Electronic):
978-1-137-58588-2
Publication date (Print):
2018
DOI:
10.1057/978-1-137-58588-2
SO-VID:
6f6cb14f-85dd-46cf-9485-f02e5ea5cbf0
License:
http://www.springer.com/tdm
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Book chapters
pp. 1
Introductions/Orientations
pp. 31
The Mainstream: Problematising and Theorising
pp. 45
The Theatre Royal: Dublin
pp. 51
The Politics of Performance: Theatre in and about Northern Ireland
pp. 69
The Literary Tradition in the History of Modern Irish Drama
pp. 85
#WakingTheFeminists
pp. 93
Live Art in Ireland
pp. 113
Gestures of Resistance: Dance in 1990s Ireland
pp. 135
Contemporary Theatre in the Irish Language
pp. 151
Theatre for Young Audiences in Ireland
pp. 165
Performance in the Community: Amateur Drama and Community Theatre
pp. 181
Performing Politics: Queer Theatre in Ireland, 1968–2017
pp. 201
Long Flame in the Hideous Gale: The Politics of Irish Popular Performance 1950–2000
pp. 221
Other Theatres
pp. 233
Independent Theatre and New Work
pp. 239
Funding, Sponsorship and Touring: Causing a Co-Motion
pp. 255
New Century Theatre Companies: From Dramatist to Collective
pp. 271
The Joyful Mysteries of Comedy
pp. 287
The Lambert Theatre and Puppetry Redefined
pp. 293
Scenic Transitions: From Drama to Experimental Practices in Irish Theatre
pp. 309
Key Moments and Relationships: Working with Pat Kinevane
pp. 315
Irish Cinema and Theatre: Adapting to Change
pp. 331
Actor Training in Ireland Since 1965
pp. 341
Irish Theatre: A Designer’s Theatre
pp. 361
Props to the Abbey Prop Man
pp. 375
Irish Theatre: An Actor’s Theatre
pp. 393
The Figurative Artist & ÚNA’N’ANU
pp. 399
Irish Theatre: A Director’s Theatre
pp. 415
In the Wake of Olwen Fouéré’s riverrun
pp. 421
Irish Theatre: A Writer’s Theatre
pp. 435
The Making of Mainstream
pp. 443
Participatory Performance: Spaces of Creative Negotiation
pp. 465
Other Spaces (Non-theatre Spaces)
pp. 487
Irish Plays in Other Places: Royal Court, RSC, Washington and Berlin
pp. 501
Ripping Up the Original?: Fictional Adaptations in Contemporary Irish Theatre
pp. 517
Circuitous Pathways: Marina Carr’s Labyrinth of Feminist Form in the US World Premiere of Phaedra Backwards
pp. 527
Being Intercultural in Irish Theatre and Performance
pp. 547
Once Upon a Time in the Life of Arambe: A Personal Reflection
pp. 555
Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama
pp. 575
Dramaturgical Complicity: Representing Trauma in Brokentalkers’ The Blue Boy
pp. 581
Between the City and the Village: Liminal Spaces and Ambivalent Identities in Contemporary Irish Theatre
pp. 599
Verse in Twenty-First Century Irish Theatre
pp. 615
The Gate Theatre on the Road: O’Casey, Pinter and Friel
pp. 631
Festivals and Curation: What Is a Festival For?
pp. 637
Interart Relations and Self-Reflexivity in Contemporary Irish Drama
pp. 657
“Contempt of Flesh”: Adventures in the Uncanny Valley—Stacey Gregg’s Override
pp. 667
The Dance of Affect in Contemporary Irish Dance Theatre
pp. 683
Artistic Vision and Regional Resistance: The Gods Are Angry, Miss Kerr and the Red Kettle Theatre Company, a Case Study
pp. 699
Cultural Materialism and a Class Consciousness?
pp. 711
The Utilization of Domestic Space in the Reflection of Social and Economic Struggles of Modern Living in Conor McPherson’s New Translation of The Nest
pp. 717
Audiences: Immersive and Participatory
pp. 737
Sounding Affect in Pan Pan Theatre’s Adaptation of All That Fall
pp. 743
Music in Irish Theatre: The Sound of the People
pp. 759
Sightings of Comic Dexterity
pp. 763
Theatre as Memory: Acts of Remembering in Irish Theatre
pp. 777
Staging a Response: No Escape and the Rise of Documentary Theatre in Ireland
pp. 783
Children of the Revolution: 1916 in 2016
pp. 799
Postfeminism and Ethical Issues in Four Post-Celtic Tiger Irish Plays by Women
pp. 819
Reflections on Bernard Shaw and the Twenty-First Century Dublin Stage
pp. 827
“Endless Art”: The Contemporary Archive of Performance
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