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Collective Participation and Audience Engagement in Rap Music
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Author(s):
David Diallo
Publication date
(Print):
2019
Publisher:
Springer International Publishing
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Collective Dynamics
Author and book information
Book
ISBN (Print):
978-3-030-25376-9
ISBN (Electronic):
978-3-030-25377-6
Publication date (Print):
2019
DOI:
10.1007/978-3-030-25377-6
SO-VID:
cfcdd063-96ed-4edb-bf89-3b1a2a28f96e
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Book chapters
pp. 1
Introduction
pp. 5
Call-and-Response in Rap Music
pp. 25
“Rock the House:” Emceeing and Collective Participation in Rap Music’s Formative Years (1974–1978)
pp. 47
“Keeping It Real Live!” Maintaining Collective Participation on Records
pp. 65
“Coming to You Live and Direct!”: Performing Liveness and Immediacy on Record
pp. 85
Intertextuality in Rap Lyrics
pp. 103
From the Stage to the Booth to the Stage: Sustaining Collective Engagement During Live Performance
pp. 121
Rap Music and Singing Along to the N-word
pp. 137
Discussing Collective Participation and Audience Engagement with Sugarhill Gang’s Master Gee
pp. 145
Conclusion
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