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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
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A Beautiful Pageant
Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
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Author(s):
David Krasner
Publication date
(Print):
2002
Publisher:
Palgrave Macmillan US
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Transnational Chinese identity
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Blues, Ideology, and Afro-American Literature
Houston Baker, Jr.
(1984)
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From Savage to Negro : Anthropology and the Construction of Race, 1896-1954
Lee D. Baker
(1998)
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Who Set You Flowin?
Farah Griffin
(1995)
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Publication date (Print):
2002
Pages
: 113-130
DOI:
10.1007/978-1-137-06625-1_6
SO-VID:
2cde0121-854f-4481-8759-e0052b822443
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Book chapters
pp. 1
African American Performance in the Harlem Renaissance
pp. 17
Men in Black and White: Race and Masculinity in the Heavyweight Title Fight of 1910
pp. 55
Exoticism, Dance, and Racial Myths: Modern Dance and the Class Divide in the Choreography of Aida Overton Walker and Ethel Waters
pp. 81
“The Pageant Is the Thing”: Black Nationalism and The Star of Ethiopia
pp. 97
Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
pp. 113
Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
pp. 131
The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson
pp. 167
“In the Whirlwind and the Storm”: Marcus Garvey and the Performance of Black Nationalism
pp. 189
Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
pp. 207
“What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
pp. 239
Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
pp. 289
Conclusion: The end of “Butter Side Up”
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