Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
18
views
0
references
Top references
cited by
0
Cite as...
0 reviews
Review
0
comments
Comment
0
recommends
+1
Recommend
0
collections
Add to
0
shares
Share
Twitter
Sina Weibo
Facebook
Email
1,365
similar
All similar
Record
: found
Abstract
: not found
Book Chapter
: not found
Shakespeare, from Stage to Screen
Screenplay, narration and subtext: the example of Hamlet
monograph
Publication date:
August 12 2004
Publisher:
Cambridge University Press
Read this book at
Publisher
Buy book
Review
Review book
Invite someone to review
Bookmark
Cite as...
There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
Related collections
ScienceOpen Research
Author and book information
Book Chapter
Publication date:
August 12 2004
Pages
: 127-151
DOI:
10.1017/CBO9780511483615.005
SO-VID:
6933a107-704a-44b7-af02-61c2ffb84f36
History
Data availability:
Comments
Comment on this book
Sign in to comment
Book chapters
pp. 1
Shakespeare, from stage to screen: a historical and aesthetic approach
pp. 33
From theatre showing to cinema telling
pp. 66
Masking film construction: towards a ‘real’ world
pp. 94
Reflexive constructions: from meta-theatre to meta-cinema?
pp. 127
Screenplay, narration and subtext: the example of Hamlet
pp. 152
Case studies
pp. 177
Bibliography
Similar content
1,365
Comments after Jim Merod’s “A World Without Whole Notes: The Intellectual Subtext of Spike Lee’s Blues
Authors:
Surgical decompression for space-occupying cerebral infarction: outcomes at 3 years in the randomized HAMLET trial.
Authors:
Marjolein Geurts
,
H Bart van der Worp
,
L. Kappelle
…
Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact
Authors:
Craig Batty
,
Dallas J. Baker
See all similar