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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
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Anthropology, Theatre, and Development
Aesthetic, Ethics, and Engagement: Self-cultivation as the Politics of Refugee Theatre
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Author(s):
Jonas Tinius
Publication date
(Print):
2015
Publisher:
Palgrave Macmillan UK
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Politics of the Low Countries
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Between Theater and Anthropology
Richard Schechner
(1985)
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Critique of the power of judgment
Immanuel Kant
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Paul Guyer
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Eric Matthews
(2000)
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Constructing a Sociology of the Arts
Vera L. Zolberg
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Publication date (Print):
2015
Pages
: 171-202
DOI:
10.1057/9781137350602_8
SO-VID:
8817b9d7-c15b-4952-813e-db4186f02031
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Book chapters
Theatre in the Arab World â Perspectives/Portraits from Lebanon, Syria, and Tunisia
Reinventing the Show Trial
Performing Transformation
Embodying Protest
Pussy Riotâs Moscow Trials
Governance, Theatricality, and Fantasma in Mafia Dance
For a Verbatim Ethnography
Aesthetic, Ethics, and Engagement
Embodiment, Intellect, and Emotion
Reflecting on Political Performance
Whose Theatre Is It Anyway? Ancient Chorality versus Modern Drama
The Invisible Performance/the Invisible Masterpiece
Resistant Acts in Post-Genocide Rwanda
Re-imagining Political Subjectivities
The Anthropologist as Ensemble Member
pp. 1
Reflecting on Political Performance: Introducing Critical Perspectives
pp. 33
Re-imagining Political Subjectivities: Relationality, Reflexivity, and Performance in Rural Brazil
pp. 53
Performing Transformation: Cultivating a Paradigm of Education for Cooperation and Sustainability in a Brazilian Community
pp. 82
Embodying Protest: Culture and Performance within Social Movements
pp. 107
Embodiment, Intellect, and Emotion: Thinking about Possible Impacts of Theatre for Development in Three Projects in Africa
pp. 127
Resistant Acts in Post-Genocide Rwanda
pp. 147
Governance, Theatricality, and Fantasma in Mafia Dance
pp. 171
Aesthetic, Ethics, and Engagement: Self-cultivation as the Politics of Refugee Theatre
pp. 203
The Invisible Performance/the Invisible Masterpiece: Visibility, Concealment, and Commitment in Graffiti and Street Art
pp. 224
Whose Theatre Is It Anyway? Ancient Chorality versus Modern Drama
pp. 261
Theatre in the Arab World — Perspectives/Portraits from Lebanon, Syria, and Tunisia
pp. 279
Pussy Riot’s Moscow Trials: Restaging Political Protest and Juridical Metaperformance
pp. 286
Reinventing the Show Trial: Putin and Pussy Riot
pp. 305
For a Verbatim Ethnography
pp. 334
The Anthropologist as Ensemble Member: Anthropological Experiments with Theatre Makers
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