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Archaeology International
Architecture_MPS
Europe and the World: A law review
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History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
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Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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Film, History and Memory
other
Editor(s):
Jennie M. Carlsten
,
Fearghal McGarry
Publication date
(Print):
2015
Publisher:
Palgrave Macmillan UK
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Embodied Memory
Author and book information
Book
ISBN (Print):
978-1-349-50035-2
ISBN (Electronic):
978-1-137-46895-6
Publication date (Print):
2015
DOI:
10.1057/9781137468956
SO-VID:
2ec67a78-ef7f-49b4-a773-a5f234f1d06e
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Book chapters
The Enchantment and Disenchantment of the Archival Image
History, Fiction and the Politics of Corporeality in Pablo LarraÃnâs Dictatorship Trilogy
Remember 1688? The Draughtsmanâs Contract, the âGlorious Revolutionâ and Public Memory
Music and Montage
Not Thinking Clearly
Confronting Silence and Memory in Contemporary Spain
Introduction
Reflections on What the Filmmaker Historian Does (to History)
Amnesty with a Movie Camera
Screening European Heritage
A Very Long Engagement
Foundational Films
pp. 1
Introduction
pp. 18
A Very Long Engagement: The Use of Cinematic Texts in Historical Research
pp. 32
Screening European Heritage: Negotiating Europe’s Past via the ‘Heritage Film’
pp. 48
Confronting Silence and Memory in Contemporary Spain: The Grandchildren’s Perspective
pp. 65
The Enchantment and Disenchantment of the Archival Image: Politics and Affect in Contemporary Portuguese Cultural Memories
pp. 83
Foundational Films: The Memorialization of Resistance in Italy, France, Belarus and Yugoslavia
pp. 101
Amnesty with a Movie Camera
pp. 118
History, Fiction and the Politics of Corporeality in Pablo Larraín’s Dictatorship Trilogy
pp. 134
Remember 1688? The Draughtsman’s Contract, the ‘Glorious Revolution’ and Public Memory
pp. 151
Not Thinking Clearly: History and Emotion in the Recent Irish Cinema
pp. 169
Music and Montage: Punk, Speed and Histories of the Troubles
pp. 183
Reflections on What the Filmmaker Historian Does (to History)
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