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Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
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The Cambridge Companion to Theatre History
Music theatre and musical theatre
edited_book
Author(s):
Zachary Dunbar
Publication date:
December 13 2012
Publisher:
Cambridge University Press
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Music and Mental Imagery
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Theatre & Globalization
Dan Rebellato
(2009)
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Composed Theatre: Aesthetics, Practices, Processes
Rebstock, MRoesner, D
,
Zavros, DRebstock, MRoesner, D
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Rebstock
(2012)
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The Cambridge Companion to the Musical
William A. Everett
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Paul R. Laird
(2011)
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Book Chapter
Publication date:
December 13 2012
Pages
: 197-209
DOI:
10.1017/CCO9781139019651.017
SO-VID:
36148c8d-ddcb-42a5-821c-789f3eba6b51
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Book chapters
pp. 3
Why theatre history?
pp. 15
Modernist theatre
pp. 33
Baroque to romantic theatre
pp. 55
Medieval, renaissance and early modern theatre
pp. 73
Classical theatre
pp. 91
Liverpool
pp. 104
Finland
pp. 116
Egypt
pp. 136
Traditional theatre: the case of Japanese Noh
pp. 149
Reflections on a global theatre history
pp. 169
The audience
pp. 184
The art of acting
pp. 197
Music theatre and musical theatre
pp. 210
Circus
pp. 231
The nature of historical evidence: a case study
pp. 246
The visual record: the case of Hamlet
pp. 267
Museums, archives and collecting
pp. 281
Re: Enactment
pp. 299
The internet: history 2.0?
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