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Censorship and Conflict in Seventeenth-Century England : The Subtle Art of Division
5 The Battle of the Books: Swift’s Leviathan and the End of Licensing
edited_book
Publication date:
October 20 2015
Publisher:
Penn State University Press
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Huddersfield Books
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Book Chapter
Publication date:
October 20 2015
Pages
: 163-196
DOI:
10.1515/9780271036557-008
SO-VID:
3bbe6cf5-cda6-4ca1-98cc-d15d4cc914c8
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
Acknowledgments
pp. ix
ACKNOWLEDGMENTS
pp. vii
Table of Contents
pp. vii
CONTENTS
pp. xi
Abbreviations
pp. xi
ABBREVIATIONS
pp. 1
Introduction
pp. 1
INTRODUCTION
pp. 30
“CONSIDER WHAT MAY COME OF IT”:
pp. 30
1 ‘‘Consider What May Come of It’’: Prynne’s Play and Charles’s Stately Theater
pp. 70
2 Lovelace and the ‘‘Barbed Censurers’’
pp. 70
LOVELACE AND THE “BARBED CENSURERS”
pp. 100
FREE SPEECH, FALLIBILITY, AND THE PUBLIC SPHERE:
pp. 100
3 Free Speech, Fallibility, and the Public Sphere: Milton Among the Skeptics
pp. 130
4 The Delicate Arts of Anonymity and Attribution
pp. 130
THE DELICATE ARTS OF ANONYMITY AND ATTRIBUTION
pp. 163
5 The Battle of the Books: Swift’s Leviathan and the End of Licensing
pp. 163
THE BATTLE OF THE BOOKS:
pp. 197
Conclusion: Dividing Lines—1689, 1695, and Afterward
pp. 197
Conclusion:
pp. 209
Notes
pp. 209
NOTES
pp. 257
SELECT BIBLIOGRAPHY
pp. 257
Select Bibliography
pp. 266
INDEX
pp. 266
Index
pp. 273
Back Matter
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