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Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
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873
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British Television Drama
What Do Actors Do When They Act?
other
Author(s):
John Caughie
Publication date
(Print):
2014
Publisher:
Palgrave Macmillan UK
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What Is Cinema?
A Bazin
(1971)
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Dialectic of Enlightenment
T Adorno
(1979)
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Towards a Poor Theatre
J. Grotowski
,
J. GROTOWSKI
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J Grotowski
(1969)
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Book Chapter
Publication date (Print):
2014
Pages
: 143-155
DOI:
10.1057/9781137327581_14
SO-VID:
4139efad-cfc2-4985-a1e8-845e857c0210
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Book chapters
TV Drama
Persuaded? The Impact of Changing Production Contexts on Three Adaptations of Persuasion
Playing Shops, Shopping Plays
Introduction
Brookside
What Do Actors Do When They Act?
Television Drama Series
Introduction to Part II
âThe Age of Innocenceâ
âAh! Our very own Juliet Bravo, or is it Jill Gascoine?â Ashes to Ashes and Representations of Gender
Moving Waterloo Road from Rochdale to Greenock
âWhat Truth is There in this Story?â
Introduction to Part III
The 1970s
âA Hero Mumsyâ
Power Plays
Downton Abbey
Contexts
Too Secret for Words
Conclusion
Writing Television Drama
Introduction to Part I
Sydney Newman and the âGolden Ageâ
Plot Inflation in Greater Weatherfield
pp. 1
Introduction
pp. 16
Contexts
pp. 40
Sydney Newman and the ‘Golden Age’
pp. 45
Television Drama Series: A Producer’s View
pp. 52
TV Drama: Then and Now
pp. 58
Writing Television Drama: Then and Now
pp. 62
Brookside: The Technology Backstory
pp. 70
Plot Inflation in Greater Weatherfield: Coronation Street in the 1990s
pp. 84
Persuaded? The Impact of Changing Production Contexts on Three Adaptations of Persuasion
pp. 107
‘The Age of Innocence’
pp. 112
Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama
pp. 118
‘A Hero Mumsy’: Parenting, Power and Production Changes in The Sarah Jane Adventures
pp. 131
Downton Abbey: Reinventing the British Costume Drama
pp. 143
What Do Actors Do When They Act?
pp. 166
The 1970s: Regional Variations
pp. 172
‘What Truth is There in this Story?’: The Dramatisation of Northern Ireland
pp. 184
Moving Waterloo Road from Rochdale to Greenock: Exploring a Sense of Place in Drama Series
pp. 191
Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays
pp. 203
‘Ah! Our very own Juliet Bravo, or is it Jill Gascoine?’ Ashes to Ashes and Representations of Gender
pp. 214
Power Plays: Gender, Genre and Lynda La Plante
pp. 224
Conclusion
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