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Gothic kinship
The madwoman in the attic of Labuwangi: Couperus and colonial Gothic
edited_book
Author(s):
Rosemarie Buikema
Publication date:
November 30 2013
Publisher:
Manchester University Press
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Book Chapter
Publication date:
November 30 2013
Pages
: 48-62
DOI:
10.7228/manchester/9780719088605.003.0004
SO-VID:
4202ac32-bd2c-4c1d-9135-283e191d901d
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Book chapters
pp. 1
Introduction
pp. 12
Matriarchal picture identification in first-wave British Gothic fiction1
pp. 30
‘Those most intimately concerned’: the strength of chosen family in Elizabeth Gaskell's Gothic short fiction
pp. 48
The madwoman in the attic of Labuwangi: Couperus and colonial Gothic
pp. 63
Seed from the east, seed from the west, which one will turn out best? The demonic adoptee in The Bad Seed (1954)
pp. 81
‘Children misbehaving in the walls!’ or, Wes Craven's suburban family values1
pp. 97
Fathers, friends, and families: Gothic kinship in Stephen King's Pet Sematary
pp. 115
Sisterhood is monstrous: Gothic imagery in Dutch feminist fiction
pp. 132
The political uncanny of the family: Patricia Duncker's The Deadly Space Between and The Civil Partnership Act
pp. 157
Violent households: the family destabilized in The Monk (1796), Zofloya, or the Moor (1818), and Her Fearful Symmetry (2009)
pp. 174
‘As much a family as anyone could be, anywhere ever’: revisioning the family in Poppy Z. Brite's Lost Souls
pp. 196
Gothic half-bloods: maternal kinship in Rowling's Harry Potter series1
pp. 211
‘They fuck you up’ – revaluations of the family in contemporary British horror film: Steven Sheil's Mum & Dad
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