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Archaeology International
Architecture_MPS
Europe and the World: A law review
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The Palgrave Handbook of Prison Tourism
Punishment as Sublime Edutainment: “Horrid Spectacles” at the Prison Museum
other
Author(s):
Laura Huey
,
Ryan Broll
Publication date
(Online):
March 28 2017
Publisher:
Palgrave Macmillan UK
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Shades of dark tourism
Carolyn J. Strange
,
Michael Kempa
(2003)
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Prison
Jacqueline Wilson
(2008)
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The polysemy of punishment memorialization: Dark tourism and Ontario's penal history museums
Kevin Walby
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Justin Piché
(2011)
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Book Chapter
Publication date (Print):
2017
Publication date (Online):
March 28 2017
Pages
: 517-539
DOI:
10.1057/978-1-137-56135-0_25
SO-VID:
431898f0-ffb1-4679-9609-35795ef25dae
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Book chapters
pp. E1
Erratum to: “Representing the Maze/Long Kesh Prison in Northern Ireland: Conflict Resolution Centre and Tourist Draw or Trojan Horse in a Culture War?”
pp. 1
Introduction: Prison Tourism in Context
pp. 13
Iconic Power, Dark Tourism, and the Spectacle of Suffering
pp. 37
Remembering and Forgetting the Gulag: Prison Tourism Across the Post-Soviet Region
pp. 55
“A Funny Place” for a Prison: Coastal Beauty, Tourism, and Interpreting the Complex Dualities of Trial Bay Gaol, Australia
pp. 85
Juxtaposing Prison and Other Carceral Sites: Interrogating Taxonomic Differences and Empathetic Possibilities
pp. 111
Mapping the Labyrinth: Preliminary Thoughts on the Definition of “Prison Museum”
pp. 131
Screening Tourist Encounters: Penal Spectatorship and the Visual Cultures of Auschwitz
pp. 153
Penal Optics and the Struggle for the Right to Look: Visuality and Prison Tourism in the Carceral Era
pp. 171
Layers of Violence: Coal Mining, Convict Leasing, and Carceral Tourism in Central Appalachia
pp. 191
Rottnest or Wadjemup: Tourism and the Forgetting of Aboriginal Incarceration and the Pre-colonial History of Rottnest Island
pp. 217
Taiwan’s Former Political Prisons: From Incarceration to Curation
pp. 241
Representing the Maze/Long Kesh Prison in Northern Ireland: Conflict Resolution Centre and Tourist Draw or Trojan Horse in a Culture War?
pp. 261
The “Kresty” Prison and Tourism: The Past, the Present, and the Future
pp. 277
Prisons, Tourism, and Symbolism: Reflecting (on) the Past, Present, and Future of South Africa
pp. 295
Rocking the Boat: The Hay Gaol Museum and the Disruptive Narratives of Forgotten Australians
pp. 321
Vagabonds and Rogues: The Prison Writing of Aboriginal Author Graeme Dixon and the Role of Literary Witnessing of Incarceration in Australian Prison Tourism
pp. 341
City of Women: The Old Melbourne Gaol and a Gender-specific Interpretation of Urban Life
pp. 365
Constructed Inmates: Gender Constructions, Material Culture, and the Lived Experiences of Women in Fremantle Prison
pp. 387
Commemorating Captive Women: Representations of Criminalized and Incarcerated Women in Canadian Penal History Museums
pp. 415
From Shame to Fame: “Celebrity” Prisoners and Canadian Prison Museums
pp. 435
Haunting Encounters at Canadian Penal History Museums
pp. 457
In the Steps of Monte Cristo and the “Last Queen of France”: The French Revolution, Literature and Tourism
pp. 479
Penal Tourism and the Paradox of (In)Humane Punishment
pp. 497
Representing Political Oppression: The Stasi Prison as an Edifice of Cultural Memory in Modern Berlin
pp. 517
Punishment as Sublime Edutainment: “Horrid Spectacles” at the Prison Museum
pp. 541
Representations of Capital Punishment in Canadian Penal History Museums
pp. 559
Ghost Hunting in Prison: Contemplating Death through Sites of Incarceration and the Commodification of the Penal Past
pp. 583
Don’t Mess with Texas: Stories of Punishment from Lone Star Museums
pp. 609
Empire and Its Aftermath in Four (Post)Colonial Settings
pp. 631
Journeying Towards New Methods in Prison Tourism Research: Mobilizing Penal Histories at the Convict Ship Exhibition
pp. 651
Remembering and Representing Imprisonment in Postcolonial Cities: Decommissioned Prisons in East Asia
pp. 673
Penal Tourism of the Carceral Other as Colonial Narrative
pp. 689
Reversing Criminology’s White Gaze: As Lombroso’s Disembodied Head Peers Through a Glass Jar in a Museum Foreshadowed by Sara Baartman’s Ghost
pp. 713
Penal Transportation, Family History, and Convict Tourism
pp. 735
Inventing a Colonial Dark Tourism Site: The Derby Boab “Prison Tree”
pp. 763
Explorations in Banality: Prison Tourism at the Old Melbourne Gaol
pp. 787
Visitor Experiences at Prison Museums: Fremantle Prison, Robben Island Museum, and Eastern State Penitentiary
pp. 811
Execution on Display: Visitor Reactions to Texas’ Electric Chair
pp. 829
In Their Own Words: Incorporating Graffiti into the Tourist Experience at the Adelaide Gaol
pp. 849
Interpretive Programing on Alcatraz Island: Balancing Increasing Demand, Changing Demographics and Preservation Priorities
pp. 867
“Cannibals and Convicts”: Australian Travel Writing About New Caledonia
pp. 887
The Backpacker’s Guide to the Prison: (In)Formalizing Prison Boundaries in Latin America
pp. 909
The Prison Tour as a Pedagogical Tool: Challenges and Opportunities
pp. 925
Touring Operational Carceral Facilities as a Pedagogical Tool: An Ethical Inquiry
pp. 947
Why and How Prison Museums/Tourism Contribute to the Normalization of the Carceral/Shadow Carceral State: The Primacy of Economic Realities
pp. 969
Punitive Healing and Penal Relics: Indigenous Prison Labour and the (Re)production of Cultural Artefacts
pp. 989
Developing Pedagogies of Human Rights and Social Justice in the Prison Museum
pp. 1011
Sport, Spectacle and Carceral Othering: The Angola Prison Rodeo and the Prison View Golf Course
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