Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
35
views
0
references
Top references
cited by
1
Cite as...
0 reviews
Review
0
comments
Comment
0
recommends
+1
Recommend
0
collections
Add to
0
shares
Share
Twitter
Sina Weibo
Facebook
Email
4,170
similar
All similar
Record
: found
Abstract
: not found
Book
: not found
The Palgrave Handbook of Musical Theatre Producers
other
Editor(s):
Laura MacDonald
,
William A. Everett
Publication date
(Print):
2017
Publisher:
Palgrave Macmillan US
Read this book at
Publisher
Further versions
oa repository (via OAI-PMH doi match)
Powered by
Buy book
Review
Review book
Invite someone to review
Bookmark
Cite as...
There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
Related collections
Amsterdam University Press Books
Author and book information
Book
ISBN (Print):
978-1-137-44029-7
ISBN (Electronic):
978-1-137-43308-4
Publication date (Print):
2017
DOI:
10.1057/978-1-137-43308-4
SO-VID:
45717bd8-b43b-48e6-8116-1a5f9eecb12c
License:
http://www.springer.com/tdm
History
Data availability:
Comments
Comment on this book
Sign in to comment
Book chapters
pp. 3
A Ballyhoo for Producers
pp. 11
Actors Act. Directors Direct. Producers … Produce? Mel Brooks’s The Producers and the Creation of an Archetype
pp. 21
Tony Pastor: The Father of Vaudeville
pp. 29
Adolf Philipp and the German American Musical Comedy
pp. 39
George Edwardes: The Guv’nor of Late Victorian Musical Theatre
pp. 47
Charles Frohman: King of the Star-Makers
pp. 59
Aggressive, Beleaguered, Commercial, Defiant: Marc Klaw and Abraham Erlanger
pp. 69
Did the Shuberts Save Broadway? The Corporate Producers
pp. 83
Sam Harris: A Producing Patron of Innovation
pp. 95
Florenz Ziegfeld Jr.’s ‘Simple Idea’: Girls and Music in Tastefully Extravagant Settings
pp. 107
Feather-Footed Impresario: The Scandals of George White
pp. 119
Alexander A. Aarons and Vinton Freedley: The Smart Sophisticates
pp. 127
Coherency: Lew Fields, the Performer-Producer and Experimenter in Integration
pp. 137
Firm Foundations: James Cassius Williamson and ‘The Firm’
pp. 145
Japanese Women’s Popular Musicals: The Takarazuka Revue
pp. 153
Refining the Tastes of Broadway Audiences: The Theatre Guild and American Musical Theatre
pp. 163
More than a Producer: ‘George Abbott Presents’
pp. 173
Rodgers and Hammerstein: The Sound of Money
pp. 191
The Nice One: The Productions of Robert Griffith
pp. 199
The Sparkplug and the Engineer: Balancing Art and Business in the Collaboration of Cy Feuer and Ernest Martin
pp. 207
Roger L. Stevens: The Great Facilitator
pp. 217
‘He Could Get It for You Wholesale’: The Producing Genius of David Merrick
pp. 231
Stuart Ostrow: Experiments in Independence
pp. 239
Hal Prince: Artistry in Producing
pp. 253
Korean Musical Theatre’s Past: Yegrin and the Politics of 1960s Musical Theatre
pp. 261
Joseph Papp and the Public Theater
pp. 267
Giora Godik: The ‘Showporter’ Turned Artistic Producer
pp. 277
The West End (and Broadway) Head East: Tōhō International and Gekidan Shiki
pp. 291
The Shubert Organization: One Singular Sensation, Now and Forever
pp. 303
Emanuel Azenberg’s Life in Theatre: ‘Happiness Is Equilibrium. Shift Your Weight’
pp. 311
Cameron Mackintosh: Modern Global Impresario
pp. 325
Laying Down the RUG: Andrew Lloyd Webber, the Really Useful Group, and Musical Theatre in a Global Economy
pp. 333
‘My American Dream’: Dreaming of Broadway and the West End in the Philippines
pp. 343
Trading Globally in Austrian History: Vereinigte Bühnen Wien
pp. 351
From Amsterdam With Love: Stage Entertainment’s Global Success
pp. 359
West Side Story: The Journey to Lincoln Center Theater
pp. 369
Making Musicals that Matter: George C. Wolfe and Oskar Eustis at the Public Theater
pp. 377
Broadway-Bound: La Jolla Playhouse as a Laboratory for New American Musical Theatre
pp. 385
Our Brand Is Revival: The Roundabout Theatre Company
pp. 393
Reclaiming, Restoring, and Reviving the American Musical: City Center Encores!
pp. 405
Garth Drabinsky’s ‘Grand Moves’: Artistic Ambition and Commercial Illusions in the 1990s
pp. 413
Disney Theatrical Productions: Anything Can Happen If You Let It
pp. 427
Against All Odds: Kevin McCollum, Creating Communities Through Theatre
pp. 433
‘I Am Them’: Tyler Perry’s Black Musical Theatre for the Masses
pp. 441
Between Broadway and the Local: Arts Communication International (ACOM), Seol & Company, and the South Korean Musical Industry
pp. 449
Performing Like a Concert King or a Queen: Producing Original Filipino Musicals
pp. 459
Producing Musicals in Russia at the Turn of the Twenty-First Century: Navigating Across Socialism, Capitalism, Occidentalism, and Nostalgia
pp. 467
David Stone: Defying the Gravity of Expectations
pp. 479
ART for ART’s Sake: The American Repertory Theatre
pp. 487
Roth and Son: Daryl Roth and Jordan Roth on Broadway
pp. 499
New Paradigms for Broadway Producers in Popular Culture and Beyond: Smash and the Rise of the Passion Project
Similar content
4,170
Performing Gender, Gender as Performance: Politics, Aesthetics and Performativity in Dacia Maraini’s ‘Barricade’ Theatre
Authors:
Maria Morelli
Oxygenation during the apnoeic phase preceding intubation in adults in prehospital, emergency department, intensive care and operating theatre environments.
Authors:
Leigh D White
,
Ruan A Vlok
,
Christopher Yc Thang
…
Lola Montez and high culture: The Elizabethan theatre trust in post‐war Australia
Authors:
Richard V. Waterhouse
See all similar
Cited by
1
Let’s Misbehave: Cell Phone Technology and Audience Behaviors
Authors:
Kathryn Edney
See all cited by