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Voice in Motion : Staging Gender, Shaping Sound in Early Modern England
Chapter 2. Words Made of Breath: Shakespeare, Bacon, and Particulate Matter
edited-book
Publication date:
December 31 2007
Publisher:
University of Pennsylvania Press
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Film Festival Studies
Author and book information
Book Chapter
Publication date:
December 31 2007
Pages
: 66-110
DOI:
10.9783/9780812201314.66
SO-VID:
474e030c-dfb4-45c4-b86e-fd854e455aab
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Book chapters
pp. i
Frontmatter
pp. vii
Contents
pp. 1
Introduction. From Excitable Speech to Voice in Motion
pp. 21
Chapter 1. Squeaky Voices: Marston, Mulcaster, and the Boy Actor
pp. 66
Chapter 2. Words Made of Breath: Shakespeare, Bacon, and Particulate Matter
pp. 111
Chapter 3. Fortress of the Ear: Shakespeare's Late Plays, Protestant Sermons, and Audience
pp. 160
Chapter 4. Echoic Sound: Sandys’s Englished Ovid and Feminist Criticism
pp. 187
Epilogue. Performing the Voice of Queen Elizabeth
pp. 197
Notes
pp. 247
Bibliography
pp. 267
Index
pp. 275
Acknowledgments
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