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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
Who we are
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A Beautiful Pageant
Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
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Author(s):
David Krasner
Publication date
(Print):
2002
Publisher:
Palgrave Macmillan US
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Terrible Honesty: Mongrel Manhattan in the 1920s
A. Douglas
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DOUGLAS
(1995)
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To Wake the Nations: Race in the Making of American Literature
E Sundquist
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Sundquist
(1993)
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Harlem Renaissance
NI Huggins
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Nathan Huggins
(1971)
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Book Chapter
Publication date (Print):
2002
Pages
: 239-288
DOI:
10.1007/978-1-137-06625-1_11
SO-VID:
49791707-f421-42d1-a9c7-552c5f1af9e4
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Book chapters
pp. 1
African American Performance in the Harlem Renaissance
pp. 17
Men in Black and White: Race and Masculinity in the Heavyweight Title Fight of 1910
pp. 55
Exoticism, Dance, and Racial Myths: Modern Dance and the Class Divide in the Choreography of Aida Overton Walker and Ethel Waters
pp. 81
“The Pageant Is the Thing”: Black Nationalism and The Star of Ethiopia
pp. 97
Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
pp. 113
Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
pp. 131
The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson
pp. 167
“In the Whirlwind and the Storm”: Marcus Garvey and the Performance of Black Nationalism
pp. 189
Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
pp. 207
“What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
pp. 239
Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
pp. 289
Conclusion: The end of “Butter Side Up”
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