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Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
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Video Games and Comedy
That Joke Isn’t Funny Anymore (Or Is It?): On Hitman and Gamer Humour(lessness)
other
Author(s):
Rob Gallagher
Publication date
(Online):
March 27 2022
Publisher:
Springer International Publishing
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A Conspiracy of Fishes, or, How We Learned to Stop Worrying About #GamerGate and Embrace Hegemonic Masculinity
Shira Chess
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Adrienne Shaw
(2015)
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Cybertext: Perspectives on Ergodic Literature
Espen Aarseth
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SVERRE AARSETH
,
Espen AARSETH
…
(1997)
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Our Aesthetic Categories: Zany, Cute, Interesting
S. Ngai
,
Sianne Ngai
,
Ngai Sianne.
…
(2012)
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Book Chapter
Publication date (Print):
2022
Publication date (Online):
March 27 2022
Pages
: 325-343
DOI:
10.1007/978-3-030-88338-6_17
SO-VID:
4ab385e4-d5f4-4413-b4d8-da9102ffa2d7
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Book chapters
pp. 1
Ludo-Comedic Consonance: An Introduction to Video Games and Comedy
pp. 35
Comedy and the Dual Position of the Player
pp. 53
Press X to Punch(line): The Design and Cognition of Interactive Gags
pp. 71
The Rubber Chicken’s Ergodicity: On Puzzle Punchlines in The Secret of Monkey Island
pp. 93
On Nintendo’s Visual Humour: Slapstick Cinema and Comic Theatre in Super Smash Bros
pp. 113
Benign Trials, Vexing Violations: Reading Humour in Puzzle Games
pp. 133
The Illuminatus Space Game: From an April Fools’ Joke to Digital Cultural Heritage
pp. 153
Red Comrades Save the Galaxy: Early Russian Adventure Games and the Tradition of Anecdote
pp. 173
“Sorry, You Had Won”: Satirical French Digital Games Responding to National Sociopolitical Crisis (1984–1986)
pp. 191
Making Fun of Tetris: Humour in Parodies of a Computer Game Classic
pp. 215
Ridiculing the Player: Live-Action Visualisations of Game Experience in YouTube Parody Videos as an Ambivalent Strategy of Self-Fashioning
pp. 233
Emergence and Ephemerality of Humour During Live Coverage of Large-Scale eSports Events
pp. 253
Cybernetic Irony: Racial Humour from Mecha-Hitler to Nuclear Gandhi
pp. 271
“Mark Matthews Stars in ‘Anatomy is Hard!’ A Struggling Student Tries to Make the Grade with His Professor”: Sexual Humour and Queer Space in Coming Out on Top
pp. 289
“A Tool of Efficiency and Consumption to Destroy Man”: Irony and Sincerity in Travis Strikes Again: No More Heroes
pp. 307
Humour in Pornographic Browser Games: From Undertale to Uddertale, a Case Study
pp. 325
That Joke Isn’t Funny Anymore (Or Is It?): On Hitman and Gamer Humour(lessness)
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