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Intersectionalities of Class in Early Modern English Drama
other
Editor(s):
Ronda Arab
,
Laurie Ellinghausen
Publication date
(Print):
2023
Publisher:
Springer Nature Switzerland
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Jewish Historical Studies: A Journal of English-Speaking Jewry
Author and book information
Book
ISBN (Print):
978-3-031-35563-9
ISBN (Electronic):
978-3-031-35564-6
Publication date (Print):
2023
DOI:
10.1007/978-3-031-35564-6
SO-VID:
561292f4-14d2-472f-8623-c4eff7f9c1f0
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Book chapters
pp. 1
Introduction
pp. 19
“As of Moors, so of Chimney Sweepers”: Blackness, Race, and Class in George Chapman’s May Day
pp. 35
“The Moor? She Does Not Matter”: Intersections of Class, Race, Religion, and Gender in Novelizations of The Merchant of Venice
pp. 53
Working-Class Villains: Iago in the Trump Zeitgeist
pp. 75
Filiation and White Freedom: Class, Race, and Sexuality in Brome’s A Jovial Crew
pp. 93
“Portraiture[s] of Schism”: The Trans-Rogue-Royalism of Catalina/Antonio de Erauso and Mary/Jack Frith
pp. 111
Class and Climate, or Redemption Comes to Pericles but Not to Spring
pp. 129
Red-Green Intersectionality Beyond the New Materialism: An Eco-Socialist Approach to Shakespeare’s The Tempest
pp. 149
Logic-Chopping Servants, Politic Jesters, and Pet Fools
pp. 165
Wench, Witch, Wife, Widow: The Power of Address Terms in The Witch of Edmonton
pp. 183
Advancing Him, Subjecting Herself: Class, Gender, and Mixed-Estate Marriages in Early Modern Drama
pp. 199
“Too Slight a Thing”: Jane Shore, Womanhood, and Ideological Conflict in Thomas Heywood’s Edward IV
pp. 217
Women’s Intersectional Shop Labor in the Royal Exchange
pp. 233
Counsel, Class, and Just War in Shakespeare’s Henry V
pp. 249
Sexual Violence as Class Conflict: Seizing Patriarchal Privilege in Early Modern English Drama
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