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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
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Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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Ruskin, the Theatre and Victorian Visual Culture
Ruskinian Moral Authority and Theatre’s Ideal Woman
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Author(s):
Rachel Dickinson
Publication date
(Print):
2009
Publisher:
Palgrave Macmillan UK
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Science of nonlocal Consciousness
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Harlequin in His Element : The English Pantomime, 1806–1836
David Mayer III
(1969)
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Ruskin and Gender
Dinah Birch
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Francis O’Gorman
(2002)
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London Characters and the Humorous Side of London Life. With Upwards of 70 Illustrations
WS Gilberts
(1871)
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Book Chapter
Publication date (Print):
2009
Pages
: 58-73
DOI:
10.1057/9780230236790_4
SO-VID:
57cf1149-58b1-4cbd-beb3-7f947791a1b7
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Book chapters
pp. 1
Speaking Pictures: The Victorian Stage and Visual Culture
pp. 19
John Ruskin, The Olympian Painters and the Amateur Stage
pp. 42
Ruskin at the Savoy: The Gilbert and Sullivan Operas as Indications of the Victorian Popular Reception of Ruskin
pp. 58
Ruskinian Moral Authority and Theatre’s Ideal Woman
pp. 74
Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’
pp. 97
Ruskin and the National Theatre
pp. 114
The First Theatrical Pre-Raphaelite? Ruskin’s Molière
pp. 135
The Britannia Theatre: Visual Culture and the Repertoire of a Popular Theatre
pp. 154
Supernumeraries: Decorating the Late-Victorian Stage with Lots (& Lots & Lots) of Live Bodies
pp. 169
‘A truer peep at Old Venice’ : The Merchant of Venice on the Victorian Stage
pp. 187
The Photographic Portraiture of Henry Irving and Ellen Terry
pp. 216
‘Auntie, can you do that?’ or ‘Ibsen in Brixton’: Representing the Victorian Stage through Cartoon and Caricature
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