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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
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Musical Women in England, 1870–1914
Immortal Tones: Woman as Public Singer
other
Author(s):
Paula Gillett
Publication date
(Print):
2000
Publisher:
Palgrave Macmillan US
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The Musical TemperamentPsychology and Personality of Musicians
Anthony E. Kemp
(1996)
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Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siécle Culture
B. Dijkstra
,
DIJKSTRA
,
Bram Dijkstra
…
(1986)
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The Mechanical Song: Women, Voice, and the Artificial in Nineteenth-Century French Narrative
FM Frank
,
Frank
,
F Miller Frank
(1995)
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Book Chapter
Publication date (Print):
2000
Pages
: 141-187
DOI:
10.1057/9780312299347_6
SO-VID:
6322446b-f856-4138-95ab-f31c0b8db209
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Book chapters
pp. 1
Introduction: Music and the Female Sphere
pp. 33
Music and “Woman’s Mission” in Late-Victorian Philanthropy
pp. 63
Talents Discovered and Rewarded: Female Recipients of Music Philanthropy
pp. 77
Woman and the Devil’s Instrument
pp. 109
The New Woman and Her Violin
pp. 141
Immortal Tones: Woman as Public Singer
pp. 189
Music as a Profession for Women
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