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Tradition and Innovation
A New World in the Making: Ursula K. Le Guin’s Fantastic West in Earthsea
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Author(s):
Martin Simonson
Publication date:
June 21 2021
Publisher:
CRC Press
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Special Series: Research for Policy Decision Making
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Book Chapter
Publication date:
June 21 2021
Pages
: 9-14
DOI:
10.1201/9780429297786-3
SO-VID:
673538b6-b1e4-41d9-9113-e9714093f866
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Book chapters
pp. 3
Introduction
pp. 5
Claus’ opera?
pp. 9
A New World in the Making: Ursula K. Le Guin’s Fantastic West in Earthsea
pp. 17
Existential sense of architecture: The importance of invention in continuum as an alternative to the nostalgia of the past
pp. 21
Operative criticism and historical criticism in Manfredo Tafuri
pp. 25
As always, de novo: Tradition will no longer be what it was, thanks to innovation
pp. 35
From the classic models to the contemporary house: Tradition, persistence, and innovation, through some meditations of the Great Masters
pp. 41
Recovery of tradition and fascination for the avant-garde: Architect Angiolo Mazzoni and the sculptor Domenico Ponzi
pp. 49
Renaming the industrial heritage in post-revolutionary Petrograd: Innovative use of an old tradition
pp. 57
Remembering the future: Traces of tradition in innovative projects of Soviet constructivism
pp. 63
The quest for a Tekoha – new strategies for a native dwelling in the “Dourados” indigenous reserve in Brazil
pp. 69
The home’s future: A space in transition
pp. 75
Myths and deceptions: Raúl Lino Portuguese House and the Critical Regionalism of the Porto School
pp. 83
School sweet school: Boarding schools and the design process evolution of a traditional educational space in Brazil from the 19th to the 21st century
pp. 91
Outer, Inner and absent space: Towards an epistemological grid for urban-architectural observations
pp. 99
School architecture: Between tradition and the desire of contemporaneity
pp. 107
Tradition and innovation in residential structures for the elderly
pp. 115
The garage building: An answer to the new automobile mobility in Porto during the decade of 1930
pp. 123
Tradition and innovation in the courses of architecture: A case study
pp. 131
The architect’s trace: The tradition of craft in the innovation of the digital era
pp. 137
Three-dimensional reconstruction within the crypto-history of architecture, for the historical-cultural (re)interpretation of architectural heritage in Portugal
pp. 145
Constructability in parametric design process: The impact of collaboration between architects and civil engineers
pp. 153
Innovation for tradition: A new method for researching the chromatic identity of architectural ensembles
pp. 161
Luis Barragán: Color as a means for introspection
pp. 165
“Breaking the cage”: Tradition and innovation in Marcos Novak’s architecture-music relationship
pp. 171
In praise of boredom and the legacy of a tradition in contemporaneity: Mu, Ma and Yasujiro Ozu
pp. 179
Fernando Távora’s Japan through books: A fascination with tradition in search of innovation
pp. 189
The Italian tradition of the practice of design: Alcino Soutinho and the Gulbenkian journey of 1960–1961
pp. 195
The skyscraper analogy and the arena of resistance: An architectural, dialectical analogy on power and counter-power, tradition, and innovation
pp. 203
Innovation and tradition in horizontal and vertical architectural design at Olivais, in Lisbon
pp. 209
Porto Faculty of Architecture’s project evolution under other perspectives
pp. 217
Álvaro Siza Vieira’s Santa Maria church: Harmony in the conflict between tradition and innovation
pp. 223
Braga Municipal Market: Some ideas on Souto de Moura’s architecture
pp. 229
Innovation versus Tradition in a building in Portugal: Casa da Música, in Porto
pp. 235
Living in the center: Contemporary experiences
pp. 241
Curiosity through courage: Introducing the iterative process to the beginning design student
pp. 247
Thinking architectural intervention within a process of geographical significance: The Roman road to Lucus Augusti nearby Braga
pp. 255
Medieval, Renaissance, and 17th-century urban design of Chaves, a heritage village of Portugal looking into the future
pp. 265
Alto Douro Wine Region Quintas [Villas Estates] as inseparable elements in the construction of its landscape heritage
pp. 271
Contemporary architectural rehabilitation of suburban villas and manor houses: Innovation in benefit of tradition
pp. 279
Innovation through tradition in architectural space. Case study: The application of ambiguous spaces in Jiangnan Gardens in contemporary architecture
pp. 285
Awakening the city: Reinventing the Pátio da Claridade in Macau
pp. 291
Toward the development of innovative preservation strategies for El Camino Real de Tierra Adentro in New Mexico
pp. 299
The future of the city: The fragment and the sense of place
pp. 307
Placing us: Environments design methodology
pp. 315
Much tradition about innovation: The creation of sceneries with craft-design cooperation
pp. 323
Sketching: Tradition vs. Innovation
pp. 329
An enabling solution for the social reintegration of prisoners: A process of innovation in codesign with a social cooperative
pp. 337
Searching for sustainable alternatives and socio-cultural innovation through participatory art and design
pp. 343
Tradition and innovation in fashion design
pp. 351
Squaring the circle of tradition in contemporary art
pp. 357
Contemporary pictorial dynamics: From the imperial tradition to post-colonial innovation
pp. 365
The poetics of the author in José S. Teixeira’s work: Innovation and the overcoming of conventional limits in the medal as an art form
pp. 373
Experimentation as a structuring element in José de Guimarães’ innovative printmaking work
pp. 383
Modernity as backwardness or tradition as resistance
pp. 391
The Mesopotamian primordial ocean(s): Changes and continuities on the creative agency of the primeval aquatic deities (3rd and 2nd millennia BC)
pp. 399
“Humanity came forth from his eyes, the gods came into existence out of his mouth”: Tradition and innovation in the theogonical and anthropogenic accounts of ancient Egyptian religious texts
pp. 407
Eusebius of Caesarea and the consolidation of Jewish cultural memory in the Christian church around the Constantinian shift
pp. 415
The traffic of slaves between continuities and changes: From the Mediterranean to the Atlantic
pp. 427
The maintenance of clerical traditions by innovating rules in the synods of Braga (14th and 15th centuries)
pp. 433
Tradition and innovation in practices and functional adjustments of the Royal Treasury in Portugal in the 16th century (1512–1560)
pp. 441
New is old: From the novella to farce, spectacular dialogism
pp. 447
How tradition and innovation echo in Jorge de Henin’s Memorial
pp. 453
Innovating tradition: The poetry of Sophia de Mello Breyner Andresen and German expressionist poetry
pp. 461
Between history and literature: A reading of John dos Passos’ The Portugal Story – Three Centuries of Exploration and Discovery
pp. 467
Fantasy Literature and the Middle Ages
pp. 473
Love in female voices: From Cantigas de Amigo to Bernardim Ribeiro’s Menina e Moça and their invocation in Nuno Bragança’s fiction
pp. 483
Innovating the city center from the margins in Lisboa no ano 2000
pp. 491
Rick Grimes, the American sheriff’s departure
pp. 495
The Cante and the wine: Revisiting places of conviviality between tradition and innovation
pp. 501
The tradition of acceptance: Epidemics, confinement, art, and death
pp. 507
Analysis of ideological discourse in rumors and memes, go beyond the insults of Captain Haddock
pp. 517
Smart tourism and the city: A new challenge
pp. 521
Tradition and innovation in Proença-a-Nova foodways
pp. 527
Online adult training and emotions: From tradition to formative innovation
pp. 535
The balance between tradition and innovation: Dichotomy in action
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