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Early Modern Black Diaspora Studies : A Critical Anthology
other
Editor(s):
Cassander L. Smith
,
Nicholas R. Jones
,
Miles P. Grier
Publication date
(Print):
2018
Publisher:
Springer International Publishing
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Critical Literacy
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Book
ISBN (Print):
978-3-319-76785-7
ISBN (Electronic):
978-3-319-76786-4
Publication date (Print):
2018
DOI:
10.1007/978-3-319-76786-4
SO-VID:
7a21f451-76d6-48d1-ae0b-94c0a5b75333
License:
http://www.springer.com/tdm
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Book chapters
pp. 1
Introduction: The Contours of a Field
pp. 15
Maroons in the Montes: Toward a Political Ecology of Marronage in the Sixteenth-Century Caribbean
pp. 37
Women/Animals/Slaves: Race and Sexuality in Wycherley’s The Country Wife
pp. 65
Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography
pp. 83
Ventriloquizing Blackness: Citing Enslaved Africans in the French Caribbean, c.1650–1685
pp. 107
“Candy No Witch in Her Country”: What One Enslaved Woman’s Testimony During the Salem Witch Trials Can Tell Us About Early American Literature
pp. 137
“Is Black so Base a Hue?”: Black Life Matters in Shakespeare’s Titus Andronicus
pp. 157
“[L]ooking at Me My Body Across Distances”: Toni Morrison’s A Mercy and Seventeenth-Century European Religious Concepts of Race
pp. 175
“Do You Love Me, Master?”: The Erotic Politics of Servitude in The Tempest and Its Postcolonial Afterlife
pp. 199
Necrocapitalism and the Early Modern Iberian Black Diaspora as Academic Field
pp. 211
Debt Collecting, Disappearance, Necromancy: A Response to John Beusterien
pp. 223
Ain’t She a Shakespearean: Truth, Giovanni, and Shakespeare
pp. 229
The Color of Professionalism: A Response to Dennis Britton
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