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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
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Ruskin and Gender
Pantomime Truth and Gender Performance: John Ruskin on Theatre
other
Author(s):
Sharon Aronofsky Weltman
Publication date
(Print):
2002
Publisher:
Palgrave Macmillan UK
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SDG 5: Gender Equality
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Bodies That Matter: On the Discursive Limits of Sex’
J. BUTLER
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Judith Butler
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J Butler
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(1993)
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Women and Victorian Theatre
Kerry Powell
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Theatre in the Victorian Age
MR Booth
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(1991)
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Book Chapter
Publication date (Print):
2002
Pages
: 159-176
DOI:
10.1057/9780230522480_10
SO-VID:
97c9d6cf-53f5-4f08-9b7c-9a1cc0b272b7
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Book chapters
pp. 1
Introduction
pp. 10
Manliness and the History of Ruskin in Love: Writing Ruskin’s Masculinity from W.G. Collingwood to Kate Millett
pp. 29
The Stones of Childhood: Ruskin’s ‘Lost Jewels’
pp. 47
The Foxglove and the Rose: Ruskin’s Involute of Childhood
pp. 64
Ruskin, Gautier, and the Feminization of Venice
pp. 86
The Feminist Origins of ‘Of Queens’ Gardens’
pp. 107
Ruskin’s ‘Womanly Mind’ (1988)
pp. 121
‘What Teachers Do You Give Your Girls?’ Ruskin and Women’s Education
pp. 137
‘Any Day that You’re a Good Boy’: Ruskin’s Patronage, Rossetti’s Expectations
pp. 159
Pantomime Truth and Gender Performance: John Ruskin on Theatre
pp. 177
Images of Proustian Inversion from Ruskin
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