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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
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edited_book
Publication date
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July 02 2012
Publisher:
Wiley-Blackwell
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Frontiers in Group Dynamics: II. Channels of Group Life; Social Planning and Action Research
K Lewin
(1947)
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Television And Everyday Life
Roger Silverstone
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World Culture in the World Polity: A Century of International Non-Governmental Organization
John Boli
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George M. Thomas
(1997)
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Book Chapter
Publication date (Online):
July 02 2012
Pages
: 575-627
DOI:
10.1002/9781444355994.biblio
SO-VID:
a1d33044-b594-4fde-b2c7-663aa23ba2c4
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Book chapters
pp. i
Front Matter
pp. 1
General Introduction
pp. 23
Transplanting Melodrama
pp. 42
Artists, Cadres, and Audiences
pp. 57
Directors, Aesthetics, Genres
pp. 75
Hong Kong Cinema Before 1980
pp. 95
The Hong Kong New Wave
pp. 118
Gender Negotiation in Song Cunshou's Story of Mother and Taiwan Cinema of the Early 1970s
pp. 133
Second Coming
pp. 151
Propaganda and Censorship in Chinese Cinema
pp. 179
Chinese Media Capital in Global Context
pp. 197
Film and Society in China
pp. 218
Vulnerable Chinese Stars
pp. 239
Ports of Entry
pp. 263
In Search of Chinese Film Style(s) and Technique(s)
pp. 284
Film Genre and Chinese Cinema
pp. 299
Performing Documentation
pp. 318
Chinese Women's Cinema
pp. 346
From Urban Films to Urban Cinema
pp. 359
The Intertwinement of Chinese Film and Literature
pp. 377
Diary of a Homecoming: (Dis-)Inhabiting the Theatrical in Postwar Shanghai Cinema
pp. 400
Cinema and the Visual Arts of China
pp. 417
From Mountain Songs to Silvery Moonlight
pp. 429
Cross-Fertilization in Chinese Cinema and Television
pp. 449
Chinese Cinema and Technology
pp. 467
Chinese Film Scholarship in Chinese
pp. 484
Chinese Film Scholarship in English
pp. 499
The Return of the Repressed
pp. 518
Homosexuality and Queer Aesthetics
pp. 535
Alter-centering Chinese Cinema
pp. 552
The Absent American: Figuring the United States in Chinese Cinema of the Reform Era
pp. 575
Bibliography
pp. 628
Filmography
pp. 655
Index
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