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Incomplete : The Feminist Possibilities of the Unfinished Film
monograph
Editor(s):
Alix Beeston
,
Stefan Solomon
Publication date:
June 06 2023
Publisher:
University of California Press
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Author and book information
Book
ISBN (Electronic):
9780520381483
ISBN (Electronic):
0520381483
ISBN (Print):
9780520381469
Publication date:
June 06 2023
DOI:
10.2307/jj.2010053
SO-VID:
a3c173fc-3b52-477c-8cf3-2b7930dd9127
History
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Book chapters
pp. i
Frontmatter
pp. i
Front Matter
pp. v
Contents
pp. v
Table of Contents
pp. vii
Editors’ Acknowledgments
pp. vii
Editors’ Acknowledgments
pp. 1
Pathways to the Feminist Incomplete:
pp. 1
Pathways to the Feminist Incomplete: An Introduction, a Theory, a Manifesto
pp. 39
Never
pp. 62
Catastrophic Optimism in the Name of Léontine
pp. 85
Body Parts:
pp. 107
Creating the Archive for Incomplete Feminist Cinematic Narratives:
pp. 125
Women (Not) Making Movies under the Popular Unity in Chile (1970–1973)
pp. 147
Writing with Jocelyne Saab:
pp. 169
Ins and Outtakes:
pp. 188
“They keep moving”:
pp. 211
One Long Electrical Cord:
pp. 226
Shirkers and Its Afterlives:
pp. 245
Kathleen Collins … Posthumously
pp. 270
The Fierce, Unfinishable, Feminist Legacies of Helen Hill
pp. 300
Girls Who Can’t Say No:
pp. 39
1. Never
pp. 62
2. Catastrophic Optimism in the Name of Léontine
pp. 85
3. Body Parts: Feeling Labor in Early Film Color
pp. 107
4. Creating the Archive for Incomplete Feminist Cinematic Narratives: The Andean-Amazonian Case
pp. 125
5. Women (Not) Making Movies under the Popular Unity in Chile (1970–1973)
pp. 147
6. Writing with Jocelyne Saab: Infinite Metamorphoses and Sensitive Variations
pp. 169
7. Ins and Outtakes: An Interview
pp. 188
8. “They keep moving”: Serialized Incompletion in the Work of Leslie Thornton and Lynn Hershman Leeson
pp. 211
9. One Long Electrical Cord: Dance, Editing, and the Creative Unfinished
pp. 226
10. Shirkers and Its Afterlives: Six Epitaphs for an Incomplete Film
pp. 245
11. Kathleen Collins . . . Posthumously
pp. 270
12. The Fierce, Unfinishable, Feminist Legacies of Helen Hill
pp. 300
13. Girls Who Can’t Say No: Celebrity Resurrections and the Consent of the Dead
pp. 322
The Ruined Map, Relinked: A Postscript
pp. 322
The Ruined Map, Relinked:
pp. 349
About the Contributors
pp. 349
About the Contributors
pp. 353
Index
pp. 353
Index
pp. 362
Back Matter
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