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Social Class and Television Drama in Contemporary Britain
other
Editor(s):
David Forrest
,
Beth Johnson
Publication date
(Print):
2017
Publisher:
Palgrave Macmillan UK
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Journal of Contemporary Archaeology
Author and book information
Book
ISBN (Print):
978-1-137-55505-2
ISBN (Electronic):
978-1-137-55506-9
Publication date (Print):
2017
DOI:
10.1057/978-1-137-55506-9
SO-VID:
a687ccda-53a5-4238-8688-f2416bd07e7f
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Book chapters
pp. 1
Introduction
pp. 13
This Is England: Authorship, Emotion and Class Telly
pp. 29
Jimmy McGovern’s The Street and the Politics of Everyday Life
pp. 45
High-flyers, Hooligans and Helpmates: Images of Social Class in the Television Dramas of Stephen Poliakoff
pp. 61
Through Class Darkly: Class in the British TV Noir
pp. 75
Military Class: Hearts and Minds on the Domestic Screen
pp. 89
‘Honest Endeavour Together!’: Social Mobility, Entrepreneurialism and Class in Mr Selfridge
pp. 103
Social Class and Television Audiences in the 1990s
pp. 119
Searching for Hugh Gaitskell in a Neoliberal Landscape – Masculinities and Class Mobility in Goodnight Sweetheart
pp. 135
From Newcastle to Nashville: the Northern Soul of Jimmy Nail
pp. 149
‘A Woman Like That Is Not A Woman, Quite. I Have Been Her Kind’: Maxine Peake and the Gothic Excess of Northern Femininity
pp. 165
Class, Place and History in the Imaginative Landscapes of Peaky Blinders
pp. 181
Happy Valley: Compassion, Evil and Exploitation in an Ordinary ‘Trouble Town’
pp. 201
Twenty-First Century British Sitcom and ‘the Hidden Injuries of Class’
pp. 215
Animating Class in Contemporary British Television
pp. 231
Public Property: Celebrity and the Politics of New Labour in Footballers’ Wives
pp. 245
Grandma’s House and the Charms of the Petit Bourgeoisie
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