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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
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Shakespeare and the Performance of Girlhood
Peevish and Perverse
other
Author(s):
Deanne Williams
Publication date
(Print):
2014
Publisher:
Palgrave Macmillan UK
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Sexual Dissidence
Jonathan Dollimore
(1991)
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Showing Like a Queen: Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
Katherine Eggert
(2000)
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Engendering a Nation
Jean E. Howard
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Phyllis Rackin
(2002)
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Book Chapter
Publication date (Print):
2014
Pages
: 21-51
DOI:
10.1057/9781137024763_2
SO-VID:
b1569b18-8c30-49f9-b713-a3c326b2294a
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Book chapters
A Dancing Princess
Peevish and Perverse
Isabelle de France, Child Bride
Conclusion
Enter Ofelia playing on a Lute
Perpetual Girlhood in The Concealed Fancies
The Lady and Comus
Introduction
My Lady Rachells booke
Lost Girls
pp. 1
Introduction: Girls Included!
pp. 21
Peevish and Perverse
pp. 52
Isabelle de France, Child Bride
pp. 73
Enter Ofelia playing on a Lute
pp. 92
Lost Girls
pp. 127
A Dancing Princess
pp. 149
The Lady and Comus
pp. 173
My Lady Rachells booke
pp. 189
Perpetual Girlhood in The Concealed Fancies
pp. 208
Conclusion: Girlhood After Shakespeare’s Heroines
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