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Archaeology International
Architecture_MPS
Europe and the World: A law review
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International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
Who we are
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The Transnational Fantasies of Guillermo del Toro
Adapt or Die: Mimicry and Evolution in Guillermo del Toro’s English-Language Films
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Author(s):
Peter Hutchings
Publication date
(Print):
2014
Publisher:
Palgrave Macmillan US
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Celluloid Vampires : Life After Death in the Modern World
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The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón
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Publication date (Print):
2014
Pages
: 83-97
DOI:
10.1057/9781137407849_6
SO-VID:
b3b7a704-7d5b-41f9-b2bf-19248f2abac0
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Book chapters
Between Fantasy and Reality
Guillermo del Toroâs Monsters
Of Monstrous Masses and Hybrid Heroes
Pacific Rim
Myth and Monstrosity
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
âThis Is Something New . . . orâSomething Very, Very Oldâ
âThere Is No Such Thingâ
Adapt or Die
Reflected Horrors
Introduction
pp. 1
Introduction
pp. 11
“There Is No Such Thing”: Del Toro’s Metafictional Monster Rally
pp. 29
Guillermo del Toro’s Monsters: Matter Out of Place
pp. 45
Myth and Monstrosity: The Dark Realms of H. P. Lovecraft and Guillermo del Toro
pp. 63
“This Is Something New … or—Something Very, Very Old”: The Strain Trilogy in Context
pp. 83
Adapt or Die: Mimicry and Evolution in Guillermo del Toro’s English-Language Films
pp. 99
Of Monstrous Masses and Hybrid Heroes: Del Toro’s English-Language Films
pp. 121
Pacific Rim: Reception, Readings, and Authority
pp. 143
Reflected Horrors: Violence, War, and the Image in Guillermo del Toro’s El espinazo del diablo/The Devil’s Backbone (2001)
pp. 161
Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)
pp. 183
Between Fantasy and Reality: the Child’s Vision and Fairy Tales in Guillermo del Toro’s Hispanic Trilogy
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