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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
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Shakespeare’s Culture in Modern Performance
Defining the Alien in The Merchant of Venice
other
Author(s):
Maria Jones
Publication date
(Print):
2003
Publisher:
Palgrave Macmillan UK
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Post-Colonial Shakespeares
Loomba
(1998)
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Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age
James H. Dormon
(1988)
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Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary
H. Hackett
(1995)
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Book Chapter
Publication date (Print):
2003
Pages
: 57-100
DOI:
10.1057/9780230597167_3
SO-VID:
ba0bec9f-a245-41c9-a601-5f8bec58e724
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Book chapters
pp. 1
Introduction: Performing Shakespeare’s Culture
pp. 19
Producing Consent in The Taming of the Shrew
pp. 57
Defining the Alien in The Merchant of Venice
pp. 103
Ophelia’s Flowers
pp. 137
Richard’s Crown
pp. 174
Conclusion: Prop and Word
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