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Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
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Dance Matters in Ireland
Dancing, Identity and Place: Balancing Subjectivity and Technique in Contemporary Dance Training
other
Author(s):
Jenny Roche
Publication date
(Online):
December 01 2017
Publisher:
Springer International Publishing
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Transnational Chinese identity
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Dance Theatre in Ireland
Aoife McGrath
(2013)
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From Shusterman's Somaesthetics to a Radical Epistemology of Somatics
Isabelle GINOT
(2010)
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Three Voices: Researching how somatic education informs contemporary dance technique classes
Sylvie FORTIN
,
Warwick LONG
,
Madeleine LORD
(2002)
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Book Chapter
Publication date (Print):
2018
Publication date (Online):
December 01 2017
Pages
: 125-143
DOI:
10.1007/978-3-319-66739-3_8
SO-VID:
bea70b16-8f19-4eed-8795-8f24ffbb9474
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Book chapters
pp. 1
Introduction
pp. 19
Revisiting Lunar Parables: Dublin Contemporary Dance Theatre and the Intangible Archive
pp. 39
On Peregrine Collaborations—Cindy Cummings’ Choreography of Triúr Ban: Woman, Disorientation, Displacement
pp. 55
Bodied Stories and Storied Bodies in Contemporary Irish Performance
pp. 79
Discomforting/Disarming Touch: Experiencing Affective Contradiction in Improvisatory Dance Performance
pp. 93
The Language of Affect in Choreographic Practice: Conversations on the Making of Embodied at the GPO
pp. 115
Dance Ecology as a Live Research Practice
pp. 125
Dancing, Identity and Place: Balancing Subjectivity and Technique in Contemporary Dance Training
pp. 145
(Per)forming the Triptych / Two Voices from a Work: The Dance of Making
pp. 171
A Gallery of Hanging Thoughts: Reflections on a Choreographic Practice (12 Frames)
pp. 191
The Kenning
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