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Archaeology International
Architecture_MPS
Europe and the World: A law review
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Journal of Bentham Studies
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A Beautiful Pageant
African American Performance in the Harlem Renaissance
other
Author(s):
David Krasner
Publication date
(Print):
2002
Publisher:
Palgrave Macmillan US
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African Languages
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Modernity and Self-Identity: Self and Society in the Late Modern Age
A Giddens
,
A. GIDDENS
,
Anthony Giddens
…
(1991)
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Harlem Renaissance
NI Huggins
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Nathan Huggins
(1971)
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Bad Faith and Antiblack Racism
LR Gordon
,
Lewis GORDON
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R. Gordon L.
…
(1995)
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Book Chapter
Publication date (Print):
2002
Pages
: 1-14
DOI:
10.1007/978-1-137-06625-1_1
SO-VID:
c2279750-8af4-4c69-9104-7b9e5a7a7b97
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Book chapters
pp. 1
African American Performance in the Harlem Renaissance
pp. 17
Men in Black and White: Race and Masculinity in the Heavyweight Title Fight of 1910
pp. 55
Exoticism, Dance, and Racial Myths: Modern Dance and the Class Divide in the Choreography of Aida Overton Walker and Ethel Waters
pp. 81
“The Pageant Is the Thing”: Black Nationalism and The Star of Ethiopia
pp. 97
Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
pp. 113
Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
pp. 131
The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson
pp. 167
“In the Whirlwind and the Storm”: Marcus Garvey and the Performance of Black Nationalism
pp. 189
Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
pp. 207
“What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
pp. 239
Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
pp. 289
Conclusion: The end of “Butter Side Up”
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