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Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
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A Beautiful Pageant
Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
other
Author(s):
David Krasner
Publication date
(Print):
2002
Publisher:
Palgrave Macmillan US
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The Signifying Monkey
HL Gates Jr.
,
Gates
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HL Gates
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(1988)
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Black culture and Black consciousness: Afro-American folk thought from slavery to freedom
Lawrence W LEVINE
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LW Levine
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(1977)
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Bearing Witness: Selections from African American Autobi-ography in the Twentieth Century
L. Gates H.
(1991)
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Publication date (Print):
2002
Pages
: 189-205
DOI:
10.1007/978-1-137-06625-1_9
SO-VID:
c3a66989-000f-4b98-983b-0425c22811eb
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Book chapters
pp. 1
African American Performance in the Harlem Renaissance
pp. 17
Men in Black and White: Race and Masculinity in the Heavyweight Title Fight of 1910
pp. 55
Exoticism, Dance, and Racial Myths: Modern Dance and the Class Divide in the Choreography of Aida Overton Walker and Ethel Waters
pp. 81
“The Pageant Is the Thing”: Black Nationalism and The Star of Ethiopia
pp. 97
Walter Benjamin and the Lynching Play: Mourning and Allegory in Angelina Weld Grimké’s Rachel
pp. 113
Migration, Fragmentation, and Identity: Zora Neale Hurston’s Color Struck and the Geography of the Harlem Renaissance
pp. 131
The Wages of Culture: Alain Locke and the Folk Dramas of Georgia Douglas Johnson and Willis Richardson
pp. 167
“In the Whirlwind and the Storm”: Marcus Garvey and the Performance of Black Nationalism
pp. 189
Whose Role Is It, Anyway?: Charles Gilpin and the Harlem Renaissance
pp. 207
“What Constitutes a Race Drama and How May We Know It When We Find It?”: The Little Theatre Movement and the Black Public Sphere
pp. 239
Shuffle Along and the Quest for Nostalgia: Black Musicals of the 1920s
pp. 289
Conclusion: The end of “Butter Side Up”
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