Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
12
views
0
references
Top references
cited by
1
Cite as...
0 reviews
Review
0
comments
Comment
0
recommends
+1
Recommend
0
collections
Add to
0
shares
Share
Twitter
Sina Weibo
Facebook
Email
2,764
similar
All similar
Record
: found
Abstract
: not found
Book
: not found
Collective Participation and Audience Engagement in Rap Music
other
Author(s):
David Diallo
Publication date
(Print):
2019
Publisher:
Springer International Publishing
Read this book at
Publisher
Buy book
Review
Review book
Invite someone to review
Bookmark
Cite as...
There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
Related collections
Collective Dynamics
Author and book information
Book
ISBN (Print):
978-3-030-25376-9
ISBN (Electronic):
978-3-030-25377-6
Publication date (Print):
2019
DOI:
10.1007/978-3-030-25377-6
SO-VID:
cfcdd063-96ed-4edb-bf89-3b1a2a28f96e
History
Data availability:
Comments
Comment on this book
Sign in to comment
Book chapters
pp. 1
Introduction
pp. 5
Call-and-Response in Rap Music
pp. 25
“Rock the House:” Emceeing and Collective Participation in Rap Music’s Formative Years (1974–1978)
pp. 47
“Keeping It Real Live!” Maintaining Collective Participation on Records
pp. 65
“Coming to You Live and Direct!”: Performing Liveness and Immediacy on Record
pp. 85
Intertextuality in Rap Lyrics
pp. 103
From the Stage to the Booth to the Stage: Sustaining Collective Engagement During Live Performance
pp. 121
Rap Music and Singing Along to the N-word
pp. 137
Discussing Collective Participation and Audience Engagement with Sugarhill Gang’s Master Gee
pp. 145
Conclusion
Similar content
2,764
Media Sport Audiences – Young People and the Summer of sport’96: Revisiting Frameworks for Analysis
Authors:
G. Lines
,
Gill Lines
Audience-Oriented Approach to Crisis Communication:
Authors:
Betty Lee
Watching VR advertising together: How 3D animated agents influence audience responses and enjoyment to VR advertising
Authors:
Dai-Yun Wu
,
Jih-Hsuan Tammy Lin
,
Nicholas David Bowman
See all similar
Cited by
1
Musicians as “Makers in Society”: A Conceptual Foundation for Contemporary Professional Higher Music Education
Authors:
Helena Gaunt
,
Celia Duffy
,
Ana Coric
…
See all cited by