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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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Locating Nordic Noir
The Bridge, Transnational Co-productions and Screen Tourism
other
Author(s):
Kim Toft Hansen
,
Anne Marit Waade
Publication date
(Online):
October 15 2017
Publisher:
Springer International Publishing
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Transnational Chinese identity
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Film-Induced Tourism
Sue Beeton
(2005)
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The Experiences of Film Location Tourists
Stefan Roesch
(2009)
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Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television
Glen Creeber
(2015)
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Publication date (Print):
2017
Publication date (Online):
October 15 2017
Pages
: 269-289
DOI:
10.1007/978-3-319-59815-4_13
SO-VID:
e98abaa2-b269-4d2b-8ae6-145e0453c12d
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Book chapters
pp. 1
Introduction: Where Is Nordic Noir?
pp. 27
Local Colour and Places on Screen
pp. 53
Location Studies: A Topography of Nordic Noir
pp. 77
Four Perspectives on the Nordic Region
pp. 105
Stieg Larsson and Scandinavian Crime Literature as a Stepping Stone
pp. 127
Beck and Character Adaptations
pp. 145
Funding Models and Increasing Transnationalism
pp. 163
The Killing and DR’s Danish Model
pp. 187
Norskov and Danish Commercial Public Service Drama
pp. 207
The Team, Danish Transnationalism and the Local Colour of Europe
pp. 229
Blue Eyes and the Rise of the Swedish Original
pp. 247
Trapped and Original Noir from Iceland and Norway
pp. 269
The Bridge, Transnational Co-productions and Screen Tourism
pp. 291
Conclusion: Nordic Noir Beyond the Nordic
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