Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
Home
Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
My ScienceOpen
Sign in
Register
Dashboard
Search
33
views
0
references
Top references
cited by
15
Cite as...
0 reviews
Review
0
comments
Comment
0
recommends
+1
Recommend
0
collections
Add to
0
shares
Share
Twitter
Sina Weibo
Facebook
Email
3,561
similar
All similar
Record
: found
Abstract
: not found
Book
: not found
Screen Traffic : Movies, Multiplexes, and Global Culture
edited_book
Author(s):
Charles R. Acland
Publication date:
2003
Publisher:
Duke University Press
Read this book at
Publisher
Buy book
Review
Review book
Invite someone to review
Bookmark
Cite as...
There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
Related collections
Westminster Papers in Communication and Culture
Author and book information
Book
ISBN (Print):
978-0-8223-3175-9
ISBN (Electronic):
978-0-8223-8486-1
Publication date:
2003
DOI:
10.1215/9780822384861
SO-VID:
fe9543a6-b25c-4652-8e9a-faa1117bf65f
History
Data availability:
Comments
Comment on this book
Sign in to comment
Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
ACKNOWLEDGMENTS
pp. ix
Acknowledgments
pp. v
CONTENTS
pp. v
Table of Contents
pp. vii
List of Tables and Figures
pp. vii
List of Tables and Figures
pp. 1
1. Global Audiences and the Current Cinema
pp. 3
Global Audiences and the Current Cinema
pp. 3
Global Audiences and the Current Cinema
pp. 23
Traveling Cultures, Mutating Commodities
pp. 23
2. Traveling Cultures, Mutating Commodities
pp. 23
Traveling Cultures, Mutating Commodities
pp. 45
3. Matinees, Summers, and the Practice of Cinemagoing
pp. 45
Matinees, Summers, and the Practice of Cinemagoing
pp. 45
Matinees, Summers, and the Practice of Cinemagoing
pp. 85
4. Crisis and Settlement in Exhibition and Distribution
pp. 85
Crisis and Settlement in Exhibition and Distribution
pp. 85
Crisis and Settlement in Exhibition and Distribution
pp. 107
“Here Come the Megaplexes”
pp. 107
5. ‘‘Here Come the Megaplexes,’’
pp. 107
“Here Come the Megaplexes”
pp. 130
6. Zones and Speeds of International Cinematic Life
pp. 130
Zones and Speeds of International Cinematic Life
pp. 130
Zones and Speeds of International Cinematic Life
pp. 163
Northern Screens
pp. 163
7. Northern Screens
pp. 163
Northern Screens
pp. 196
8. The Miniaturization of the Theme Park, or After the ‘‘Death’’ of Cinema
pp. 196
The Miniaturization of the Theme Park, or After the “Death” of Cinema
pp. 196
The Miniaturization of the Theme Park, or After the “Death” of Cinema
pp. 229
9. Cinemagoing as ‘‘Felt Internationalism,’’
pp. 229
Cinemagoing as “Felt Internationalism”
pp. 229
Cinemagoing as “Felt Internationalism”
pp. 247
1. Screens per Million Population
pp. 247
APPENDIX ONE.
pp. 250
APPENDIX TWO.
pp. 250
2. World Screen Count
pp. 253
APPENDIX THREE.
pp. 253
3. National Average Cinema Admissions per Person (annual)
pp. 256
APPENDIX FOUR.
pp. 256
4. Multiplexing in Europe
pp. 257
APPENDIX FIVE.
pp. 257
5. MPAA’s Goals for Digital Cinema
pp. 259
6. Existing Digital Cinemas, 2000
pp. 259
APPENDIX SIX.
pp. 261
APPENDIX SEVEN.
pp. 261
7. Digital Movies Released for DLP Projectors
pp. 263
NOTES
pp. 263
Notes
pp. 299
Bibliography
pp. 299
BIBLIOGRAPHY
pp. 299
Bibliography
pp. 325
Index
pp. 325
INDEX
pp. 325
Index
pp. 338
Back Matter
Similar content
3,561
When movies matter: exposure to smoking in movies and changes in smoking behavior.
Authors:
Sonya Dal Cin
,
Mike Stoolmiller
,
James D. Sargent
Cult of Attention: An Introduction to Seymour Stern and Harry Allan Potamkin (Contra Kracauer) on the Ideal Movie Theater
Authors:
Number of movies released in the United States and Canada from 2000 to 2021
Authors:
J. NAVARRO
See all similar
Cited by
15
The freelance translation machine: Algorithmic culture and the invisible industry
Authors:
Scott Kushner
Approaching media industries comparatively: A case study of streaming
Authors:
Daniel Herbert
,
Amanda Lotz
,
Lee Marshall
The queer film ecosystem: symbolic economy, festivals, and queer cinema’s legs
Authors:
Antoine Damiens
See all cited by