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      La guerra de la Independencia en la dramaturgia chilena del siglo XIX Translated title: The War of Independence in Chilean dramaturgy of the 19th century

      research-article
      Desde el Sur
      Universidad Científica del Sur
      Dramaturgia chilena, guerra, patria, siglo XIX, Chilean dramaturgy, war, homeland, XIX century

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          Abstract

          RESUMEN La guerra se ha constituido un tema constante en la dramaturgia chilena, la cual a su vez se ha vinculado estrechamente con la identidad nacional. La pulsión de la guerra, con sus mecanismos discursivos institucionales (histórico, político, cultural, militar, nacional), sus ondulaciones y su dificultad misma de la representación sobre la escena han resonado en la dramaturgia chilena desde la consolidación de la República en el siglo XIX (1817), hasta la apoteósica celebración del bicentenario nacional (2010). Nuestro estudio pretende examinar de qué modo las pulsiones bélicas (durante la preguerra, guerra y postguerra) se han incrustado en la dramaturgia bélica del siglo XIX. Para ello, analizaremos tres textos: La Camila o La patriota de Sud-América (1817), de Camilo Henríquez, La hija del Sur o La Independencia (1823), de Manuel Magallanes, y Ernesto (1842), de Rafael Minvielle. A partir de estas dramaturgias observaremos la relación que se mantiene entre la guerra y el teatro, y de qué manera aparece el pretexto bélico (acción, contexto histórico, tela de fondo o dimensión política, económica y social) en obras con alguna importancia representativa en la escena teatral nacional.

          Translated abstract

          ABSTRACT War has become a constant theme in Chilean drama, which in turn has been closely linked to national identity. The pulsion of war, with its institutional discursive mechanisms (historical, political, cultural, military, national), its undulations, and the difficulty of representing it on stage have resonated in Chilean dramaturgy since the consolidation of the Republic in the nineteenth century (1817) until the tremendous celebration of the national Bicentennial (2010). Our study examines how war impulse (during the pre-war, war and post-war periods) have been embedded in the war drama of the XIX century. For this, we will analyze three texts: La Camila o La patriota de Sud-América (1817), by Camilo Henríquez, La hija del Sur o La Independencia (1823), by Manuel Magallanes and Ernesto (1842), by Rafael Minvielle. In these dramas, we will observe the relationship between war and theater, and how the warlike pretext appears (action, historical context, background, or political, economic, and social dimension) in works with some representative importance in the national theater scene.

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          Genealogía del racismo. De la guerra de las razas al racismo de Estado

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            La novela histórica

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              Identidad y nación entre dos siglos

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                Author and article information

                Journal
                des
                Desde el Sur
                Desde el Sur
                Universidad Científica del Sur (Lima, , Peru )
                2076-2674
                2415-0959
                October 2024
                : 16
                : 4
                : e0061
                Affiliations
                [1] Chillán orgnameUniversidad del Bío-Bío Chile tfaundez@ 123456ubiobio.cl
                Author information
                https://orcid.org/0000-0003-1902-2077
                Article
                S2415-09592024000400008 S2415-0959(24)01600400008
                10.21142/des-1604-2024-0061
                0dc3b183-b498-4cbe-a2fd-4b34b5ae2141

                This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

                History
                : 21 March 2024
                : 17 June 2024
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 32, Pages: 0
                Product

                SciELO Peru

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                Artículos

                war,patria,guerra,XIX century,homeland,Chilean dramaturgy,siglo XIX,Dramaturgia chilena

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