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      O conflito Israelo-Palestino visto pelo cinema local Translated title: The Israeli-Palestinian conflict seen by the local cinema

      research-article
      História (São Paulo)
      Revista História
      cinema, Israel, Palestine, cinema, Israel, Palestina

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          Abstract

          Há uma efervescente literatura tratando da temática dos conflitos entre Israel e os palestinos, assim como com os países árabes. Durante muito tempo, a filmografia a este respeito se resumia a poucos diretores, como o israelense Amos Gitai. Na última década, porém, uma série de obras audiovisuais feitas por cineastas locais sobre essas questões tem ganhado as telas do mundo e abocanhado inúmeros prêmios. O intuito neste artigo é justamente apresentar e analisar algumas destas obras, começando por breve reflexão sobre a importância de filmes de ficção e documentários para tratar da História do tempo presente do Oriente Médio. A Noiva Síria, Lemon Tree, Laila's Birthday, Paradise Now, 5 Broken Cameras e The Gatekeepers, três obras israelenses e três palestinas, são então as selecionadas para, a partir delas, tratar de representações e interpretações feitas sobre o estágio do conflito entre israelenses e palestinos na última década, bem como suas relações com o Oriente Médio, de maneira geral.

          Translated abstract

          There is an effervescent literature dealing with the themes of conflicts between Israel and the Palestinians as well as the Arab countries. For a long time the filmography about this came down to a few directors, like the Israeli Amos Gitai. In the last decade, however, a series of fiction films and documentaries made by local filmmakers on these issues has gained the screens of the world and won numerous awards. The purpose of this article is precisely to present and analyze some of these works, beginning with brief reflection on the importance of audiovisual works to reflect on the history of this time in the Middle East. "The Syrian Bride", "Lemon Tree", "Laila 's Birthday", "Paradise Now", "5 Broken Cameras" and "The Gatekeepers", three Israeli works and three Palestinian works, are then selected to deal with representations and interpretations made about the stage of the conflict between Israelis and Palestinians over the last decade, as well as its relations with the Middle East in general .

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          Most cited references32

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          Orientalismo

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            Redes de Indignação e Esperança. Movimentos Sociais na Terra da Internet

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              Cinema e História

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                Author and article information

                Contributors
                Role: ND
                Journal
                s_his
                História (São Paulo)
                História
                Revista História (Franca )
                1980-4369
                December 2014
                : 33
                : 2
                : 122-149
                Article
                S0101-90742014000200122
                10.1590/1980-43692014000200008
                b40de198-696a-43d5-b25b-438864dea9b4

                http://creativecommons.org/licenses/by/4.0/

                History

                Israel,Palestine,cinema,Palestina
                Israel, Palestine, cinema, Palestina

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