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Metal Soaps in Art : Conservation and Research
Historical Evolutions of Lead-Fat/Oil Formula from Antiquity to Modern Times in a Set of European Pharmaceutical and Painting Treatises
other
Author(s):
Marine Cotte
,
Laurence De Viguerie
,
Emilie Checroun
,
Jean Susini
,
Philippe Walter
Publication date
(Online):
March 24 2019
Publisher:
Springer International Publishing
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Journal of Applied Pharmaceutical Science
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: not found
Making make-up in Ancient Egypt
P. Walter
,
P. Martinetto
,
G Tsoucaris
…
(1999)
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The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds
L. de Viguerie
,
P.A. Payard
,
E. Portero
…
(2016)
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Lead soaps in paintings: Friends or foes?
Marine Cotte
,
Emilie Checroun
,
Wout De Nolf
…
(2017)
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Book Chapter
Publication date (Print):
2019
Publication date (Online):
March 24 2019
Pages
: 85-106
DOI:
10.1007/978-3-319-90617-1_5
SO-VID:
bda428b4-6155-4a0f-80dc-d1e9f602ef31
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Book chapters
pp. 1
A Brief History of Metal Soaps in Paintings from a Conservation Perspective
pp. 25
Zinc Soaps: An Overview of Zinc Oxide Reactivity and Consequences of Soap Formation in Oil-Based Paintings
pp. 47
Toward a Complete Molecular Model for the Formation of Metal Soaps in Oil Paints
pp. 69
Understanding the Dynamics and Structure of Lead Soaps in Oil Paintings Using Multinuclear NMR
pp. 85
Historical Evolutions of Lead-Fat/Oil Formula from Antiquity to Modern Times in a Set of European Pharmaceutical and Painting Treatises
pp. 107
Impact of Lead Soaps on the Formation of Age Craquelure
pp. 123
An Investigation into Metal Ions in Varnish Coatings
pp. 141
Aging of Natural Resins in Presence of Pigments: Metal Soap and Oxalate Formation
pp. 153
Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study
pp. 173
Tracking Metal Oxalates and Carboxylates on Painting Surfaces by Non-invasive Reflection Mid-FTIR Spectroscopy
pp. 195
Identification and Distribution of Metal Soaps and Oxalates in Oil and Tempera Paint Layers in Fifteenth-Century Altarpieces Using Synchrotron Radiation Techniques
pp. 211
Photoluminescence Micro-imaging Sheds New Light on the Development of Metal Soaps in Oil Paintings
pp. 227
Physicochemistry of Pure Lead(II) Soaps: Crystal Structures, Solid and Liquid Mesophases, and Glass Phases – Crystallographic, Calorimetric, and Pair Distribution Function Analysis
pp. 243
Taking Different Forms: Metal Soaps in Paintings, Diagnosis of Condition, and Issues for Treatment
pp. 263
Characterization and Removal of a Disfiguring Oxalate Crust on a Large Altarpiece by Hans Memling
pp. 283
The Development of an Aqueous Gel Testing Procedure for the Removal of Lead-Rich Salt Crusts on the Surface of Paintings by Giovanni Antonio Pellegrini (1675–1741) in the “Golden Room” of the Mauritshuis
pp. 297
The Formation of Calcium Fatty Acid Salts in Oil Paint: Two Case Studies
pp. 315
Everything Old Is New Again: Revisiting a Historical Symposium on Zinc Oxide Paint Films
pp. 329
Notes on Metal Soap Extenders in Modern Oil Paints: History, Use, Degradation, and Analysis
pp. 343
Delamination Due to Zinc Soap Formation in an Oil Painting by Piet Mondrian (1872–1944)
pp. 359
Paint Delamination as a Result of Zinc Soap Formation in an Early Mondrian Painting
pp. 375
Photometric Stereo by UV-Induced Fluorescence to Detect Protrusions on Georgia O’Keeffe’s Paintings
pp. 393
A Montparnasse Disease? Severe Manifestations of Metal Soaps in Paintings by Pierre Soulages from Around 1959 to 1960 (Delaminating Oil Paint Layers, Medium Exudates, Discolorations)
pp. 413
Seldom Black and White: The Works of Franz Kline
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A Brief History of Metal Soaps in Paintings from a Conservation Perspective
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