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Journals
Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
About
About UCL Press
Who we are
Contact us
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Screen Traffic : Movies, Multiplexes, and Global Culture
“Here Come the Megaplexes”
edited_book
Publication date:
2003
Publisher:
Duke University Press
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Signification, representation, ideology: Althusser and the post‐structuralist debates
Stuart James Hall
(2009)
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The Practice of Everyday Life
M. de CERTEAU
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de M Certeau
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M De
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(1984)
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Make Room for TV
Lynn Spigel
(1992)
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Book Chapter
Publication date:
2003
Pages
: 107-129
DOI:
10.1215/9780822384861-005
SO-VID:
353e191e-77ef-4dd4-879f-45065580d0e4
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Book chapters
pp. i
Front Matter
pp. i
Frontmatter
pp. ix
ACKNOWLEDGMENTS
pp. ix
Acknowledgments
pp. v
CONTENTS
pp. v
Table of Contents
pp. vii
List of Tables and Figures
pp. vii
List of Tables and Figures
pp. 1
1. Global Audiences and the Current Cinema
pp. 3
Global Audiences and the Current Cinema
pp. 3
Global Audiences and the Current Cinema
pp. 23
Traveling Cultures, Mutating Commodities
pp. 23
2. Traveling Cultures, Mutating Commodities
pp. 23
Traveling Cultures, Mutating Commodities
pp. 45
3. Matinees, Summers, and the Practice of Cinemagoing
pp. 45
Matinees, Summers, and the Practice of Cinemagoing
pp. 45
Matinees, Summers, and the Practice of Cinemagoing
pp. 85
4. Crisis and Settlement in Exhibition and Distribution
pp. 85
Crisis and Settlement in Exhibition and Distribution
pp. 85
Crisis and Settlement in Exhibition and Distribution
pp. 107
“Here Come the Megaplexes”
pp. 107
5. ‘‘Here Come the Megaplexes,’’
pp. 107
“Here Come the Megaplexes”
pp. 130
6. Zones and Speeds of International Cinematic Life
pp. 130
Zones and Speeds of International Cinematic Life
pp. 130
Zones and Speeds of International Cinematic Life
pp. 163
Northern Screens
pp. 163
7. Northern Screens
pp. 163
Northern Screens
pp. 196
8. The Miniaturization of the Theme Park, or After the ‘‘Death’’ of Cinema
pp. 196
The Miniaturization of the Theme Park, or After the “Death” of Cinema
pp. 196
The Miniaturization of the Theme Park, or After the “Death” of Cinema
pp. 229
9. Cinemagoing as ‘‘Felt Internationalism,’’
pp. 229
Cinemagoing as “Felt Internationalism”
pp. 229
Cinemagoing as “Felt Internationalism”
pp. 247
1. Screens per Million Population
pp. 247
APPENDIX ONE.
pp. 250
APPENDIX TWO.
pp. 250
2. World Screen Count
pp. 253
APPENDIX THREE.
pp. 253
3. National Average Cinema Admissions per Person (annual)
pp. 256
APPENDIX FOUR.
pp. 256
4. Multiplexing in Europe
pp. 257
APPENDIX FIVE.
pp. 257
5. MPAA’s Goals for Digital Cinema
pp. 259
6. Existing Digital Cinemas, 2000
pp. 259
APPENDIX SIX.
pp. 261
APPENDIX SEVEN.
pp. 261
7. Digital Movies Released for DLP Projectors
pp. 263
NOTES
pp. 263
Notes
pp. 299
Bibliography
pp. 299
BIBLIOGRAPHY
pp. 299
Bibliography
pp. 325
Index
pp. 325
INDEX
pp. 325
Index
pp. 338
Back Matter
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