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Cultural Convergence : The Dublin Gate Theatre, 1928–1960
other
Editor(s):
Ondřej Pilný
,
Ruud van den Beuken
,
Ian R. Walsh
Publication date
(Print):
2021
Publisher:
Springer International Publishing
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UCL Grand Challenges: Cultural Understanding
Author and book information
Book
ISBN (Print):
978-3-030-57561-8
ISBN (Electronic):
978-3-030-57562-5
Publication date (Print):
2021
DOI:
10.1007/978-3-030-57562-5
SO-VID:
575e8e49-3648-4132-becd-cabedc11b155
License:
https://creativecommons.org/licenses/by/4.0
https://creativecommons.org/licenses/by/4.0
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Book chapters
pp. 1
Introduction: Cultural Convergence at Dublin’s Gate Theatre
pp. 15
The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir
pp. 47
Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-Speaking Founder
pp. 75
The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin
pp. 107
The Other Gates: Anglo-American Influences on and from Dublin
pp. 141
The Brothers Čapek at the Gate: R.U.R. and The Insect Play
pp. 175
Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert
pp. 193
Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate
pp. 217
‘We Belong to the World’: Christine Longford’s War Plays During Irish Neutrality
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