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Archaeology International
Architecture_MPS
Europe and the World: A law review
Film Education Journal
History Education Research Journal
International Journal of Development Education and Global Learning
International Journal of Social Pedagogy
Jewish Historical Studies: A Journal of English-Speaking Jewry
Journal of Bentham Studies
London Review of Education
Radical Americas
Research for All
The Journal of the Sylvia Townsend Warner Society
The London Journal of Canadian Studies
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About UCL Press
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Violence Performed : Local Roots and Global Routes of Conflict
Decorated Death and the Double Whammy: Attempting to Erase the Excluded through Minstrelsy and Lynching
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Author(s):
Barbara Lewis
Publication date
(Print):
2009
Publisher:
Palgrave Macmillan UK
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Homo Sacer: Sovereign Power and Bare Life
Giorgio Agamben
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Daniel Heller-Roazen
(1998)
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The Psychic Life of Power : Theories in Subjection
Judith Butler
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Excitable speech: A politics of the performative
J Butler
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J. BUTLER
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JP Butler
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(1997)
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Publication date (Print):
2009
Pages
: 101-125
DOI:
10.1007/978-0-230-31692-8_6
SO-VID:
838f12ad-35d8-48b2-b69a-d30743e3d706
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Book chapters
pp. 1
Introduction: Violence Performed
pp. 15
Sublime Trauma: The Violence of Ethical Encounter
pp. 31
The “Outsider” Outside: Performing Immigration in French Street Theatre
pp. 54
The Poetics of Displacement and the Politics of Genocide in Three Plays about Rwanda
pp. 79
The Case for Postcolonial Liberalism in Hanif Kureishi’s My Son the Fanatic
pp. 101
Decorated Death and the Double Whammy: Attempting to Erase the Excluded through Minstrelsy and Lynching
pp. 126
Sacrificial Practices: Creating the Legacy of Stephen Lawrence
pp. 152
Violence Makes the Body Politic(al): Technologies of Corporeal Literacy in Indian Democracy
pp. 170
Performance, Transitional Justice, and the Law: South Africa’s Truth and Reconciliation Commission
pp. 194
“To Lie Down to Death for Days”: The Turkish Hunger Strike, 2000–2003
pp. 223
Violent Reformations: Image Theatre with Youth in Conflict Regions
pp. 244
The Arts of Resistance: Arundhati Roy, Denise Uyehara, and the Ethno-Global Imagination
pp. 264
Narrative Representations of Violence and Terrorism: Tragedy and History in Hanoch Levin’s Theatre
pp. 285
Not So Innocent Landscapes: Remembrance, Representation, and the Disappeared
pp. 317
Directing Tourists and Escapees: North Korea’s Two Conflicting National Performances
pp. 338
Abu Ghraib and the Society of the Spectacle of the Scaffold
pp. 357
Performance Complexes: Abu Ghraib and the Culture of Neoliberalism
pp. 372
Afterword
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