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The Palgrave Handbook of Musical Theatre Producers
Emanuel Azenberg’s Life in Theatre: ‘Happiness Is Equilibrium. Shift Your Weight’
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Author(s):
Sarah Taylor Ellis
Publication date
(Online):
March 26 2017
Publisher:
Palgrave Macmillan US
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Book Chapter
Publication date (Print):
2017
Publication date (Online):
March 26 2017
Pages
: 303-310
DOI:
10.1057/978-1-137-43308-4_30
SO-VID:
a23eebf9-206b-4610-87dc-3208475923fd
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Book chapters
pp. 3
A Ballyhoo for Producers
pp. 11
Actors Act. Directors Direct. Producers … Produce? Mel Brooks’s The Producers and the Creation of an Archetype
pp. 21
Tony Pastor: The Father of Vaudeville
pp. 29
Adolf Philipp and the German American Musical Comedy
pp. 39
George Edwardes: The Guv’nor of Late Victorian Musical Theatre
pp. 47
Charles Frohman: King of the Star-Makers
pp. 59
Aggressive, Beleaguered, Commercial, Defiant: Marc Klaw and Abraham Erlanger
pp. 69
Did the Shuberts Save Broadway? The Corporate Producers
pp. 83
Sam Harris: A Producing Patron of Innovation
pp. 95
Florenz Ziegfeld Jr.’s ‘Simple Idea’: Girls and Music in Tastefully Extravagant Settings
pp. 107
Feather-Footed Impresario: The Scandals of George White
pp. 119
Alexander A. Aarons and Vinton Freedley: The Smart Sophisticates
pp. 127
Coherency: Lew Fields, the Performer-Producer and Experimenter in Integration
pp. 137
Firm Foundations: James Cassius Williamson and ‘The Firm’
pp. 145
Japanese Women’s Popular Musicals: The Takarazuka Revue
pp. 153
Refining the Tastes of Broadway Audiences: The Theatre Guild and American Musical Theatre
pp. 163
More than a Producer: ‘George Abbott Presents’
pp. 173
Rodgers and Hammerstein: The Sound of Money
pp. 191
The Nice One: The Productions of Robert Griffith
pp. 199
The Sparkplug and the Engineer: Balancing Art and Business in the Collaboration of Cy Feuer and Ernest Martin
pp. 207
Roger L. Stevens: The Great Facilitator
pp. 217
‘He Could Get It for You Wholesale’: The Producing Genius of David Merrick
pp. 231
Stuart Ostrow: Experiments in Independence
pp. 239
Hal Prince: Artistry in Producing
pp. 253
Korean Musical Theatre’s Past: Yegrin and the Politics of 1960s Musical Theatre
pp. 261
Joseph Papp and the Public Theater
pp. 267
Giora Godik: The ‘Showporter’ Turned Artistic Producer
pp. 277
The West End (and Broadway) Head East: Tōhō International and Gekidan Shiki
pp. 291
The Shubert Organization: One Singular Sensation, Now and Forever
pp. 303
Emanuel Azenberg’s Life in Theatre: ‘Happiness Is Equilibrium. Shift Your Weight’
pp. 311
Cameron Mackintosh: Modern Global Impresario
pp. 325
Laying Down the RUG: Andrew Lloyd Webber, the Really Useful Group, and Musical Theatre in a Global Economy
pp. 333
‘My American Dream’: Dreaming of Broadway and the West End in the Philippines
pp. 343
Trading Globally in Austrian History: Vereinigte Bühnen Wien
pp. 351
From Amsterdam With Love: Stage Entertainment’s Global Success
pp. 359
West Side Story: The Journey to Lincoln Center Theater
pp. 369
Making Musicals that Matter: George C. Wolfe and Oskar Eustis at the Public Theater
pp. 377
Broadway-Bound: La Jolla Playhouse as a Laboratory for New American Musical Theatre
pp. 385
Our Brand Is Revival: The Roundabout Theatre Company
pp. 393
Reclaiming, Restoring, and Reviving the American Musical: City Center Encores!
pp. 405
Garth Drabinsky’s ‘Grand Moves’: Artistic Ambition and Commercial Illusions in the 1990s
pp. 413
Disney Theatrical Productions: Anything Can Happen If You Let It
pp. 427
Against All Odds: Kevin McCollum, Creating Communities Through Theatre
pp. 433
‘I Am Them’: Tyler Perry’s Black Musical Theatre for the Masses
pp. 441
Between Broadway and the Local: Arts Communication International (ACOM), Seol & Company, and the South Korean Musical Industry
pp. 449
Performing Like a Concert King or a Queen: Producing Original Filipino Musicals
pp. 459
Producing Musicals in Russia at the Turn of the Twenty-First Century: Navigating Across Socialism, Capitalism, Occidentalism, and Nostalgia
pp. 467
David Stone: Defying the Gravity of Expectations
pp. 479
ART for ART’s Sake: The American Repertory Theatre
pp. 487
Roth and Son: Daryl Roth and Jordan Roth on Broadway
pp. 499
New Paradigms for Broadway Producers in Popular Culture and Beyond: Smash and the Rise of the Passion Project
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