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Ancient Drama in Music for the Modern Stage
edited-book
Editor(s):
Peter Brown
,
Suzana Ograjenšek
Publication date:
September 02 2010
Publisher:
Oxford University Press
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There is no author summary for this book yet. Authors can add summaries to their books on ScienceOpen to make them more accessible to a non-specialist audience.
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Music and Mental Imagery
Author and book information
Book
ISBN:
9780199558551
Publication date:
September 02 2010
DOI:
10.1093/acprof:osobl/9780199558551.001.0001
SO-VID:
afcd8fe9-7217-480f-ac4c-d6535bec486e
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Book chapters
pp. 1
Precursors, Precedents, Pretexts
pp. 31
Greek Tragedy and Opera
pp. 47
Incidental Music and the Revival of Greek Tragedy from the Italian Renaissance to German Romanticism
pp. 67
Phaedra’s Handmaiden
pp. 85
Dance in Lully’s Alceste
pp. 96
The Ghost of Alcestis
pp. 112
The Rise and Fall of Andromache on the operatic Stage, 1660s–1820s*
pp. 139
Opera Librettos and Greek Tragedy in Eighteenth-Century Venice
pp. 160
Ancient Tragedy in Opera, and the Operatic Debut of Oedipus the King (Munich, 1729)
pp. 177
Establishing a Text, Securing a Reputation
pp. 193
The Gods out of the Machine…and their Comeback*
pp. 210
Who Killed Gluck?
pp. 240
The Metamorphosis of a Greek Comedy and its Protagonist
pp. 258
Taneyev’s Oresteia
pp. 285
Crossings of Experimental Music and Greek Tragedy
pp. 305
The Action Drama and the Still Life
pp. 320
Sing Evohe! Three Twentieth-Century Operatic Versions of Euripides’ Bacchae
pp. 340
Re-staging the Welttheater:
pp. 369
‘Batter the Doom Drum’
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